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Studio Visit: Behind the Scenes of Lauren YS’ “Devil’s Jelly” at Cotton Candy Machine

Lauren YS' studio is located in a sprawling Oakland co-op that once housed an architecture office. The gigantic drafting tables its original tenants left behind proved to be useful while she worked on her new body of work for her solo show, "Devil's Jelly," opening at Cotton Candy Machine in Brooklyn on April 18. Her surreal drawings and paintings feature shape-shifting female characters that seem to embody the artist's various dreams — as well as fears and anxieties. YS interjects punches of striking neon colors that match her work's bold attitude. Today, we take a look behind the scenes of "Devil's Jelly" before her work travels to New York.

Lauren YS’ studio is located in a sprawling Oakland co-op that once housed an architecture office. The gigantic drafting tables its original tenants left behind proved to be useful while she worked on her new body of work for her solo show, “Devil’s Jelly,” opening at Cotton Candy Machine in Brooklyn on April 18. Her surreal drawings and paintings feature shape-shifting female characters that seem to embody the artist’s various dreams — as well as fears and anxieties. YS interjects punches of striking neon colors that match her work’s bold attitude. Today, we take a look behind the scenes of “Devil’s Jelly” before her work travels to New York.

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Collaboration with Boy Kong.


Collaboration with Boy Kong.

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Lauren YS, Moneyless, Troy Lovegates, and More Present New Works in “House Warming”

A new gallery joins the Bay area art scene tomorrow. Athen B. Gallery will celebrate their grand opening with "House Warming," an exhibition featuring new works by some familiar names to our blog, including Bret Flanigan, David Bray, Eric Bailey, Lauren YS, Moneyless, Troy Lovegates, Word to Mother, Zio Ziegler, and more. With this first showing, Athen B. introduces their eye for artists with roots in graffiti and urban art, Pop motifs and expressive palettes.

Preview: Lauren YS’s “Kraken” at Rabbit Eye Movement

It's no coincidence that octopi are a major motif in emerging artist Lauren YS's work. The artist certainly has some chops when it comes to working with ink, the eight-legged creature's weapon of choice and her preferred medium. After collaborating with Austrian artist Nychos during his recent stay in San Francisco, she was invited to Vienna for an artist residency at Nychos's gallery, Rabbit Eye Movement. Her solo show "Kraken" opens there on August 13. The German word for octopus, "Kraken" comes from the Norwegian root "krake," which translates to "unhealthy creature." Following this etymology, YS's line-heavy illustrations depict nightmarish yet humorous versions of human-octopus hybrids. According to the artist, they've become a metaphor for the dark turns an anxious, manic mind can take.

On View: Annual “Tiny Trifecta” Group Show at Cotton Candy Machine

Where else might one be able to acquire a Mark Ryden piece for $100? The annual Tiny Trifecta group show at Brooklyn's Cotton Candy Machine debuted last Saturday, June 14, to an eager crowd — some of whom, according to co-owner Sean Leonard, had been camping out for several days. Curated by artist and CCM co-owner Tara McPherson, the group show featured three works each from over 100 contemporary artists — well-known figures like Marco Mazzoni, Shepard Fairey and Amy Sol, and emerging artists such as Fefe Talavera and Diana Sudyka. With the walls practically wall-papered with the array of work, the show offers a diverse sampling of fun pieces, from the illustrative to the abstract.

Lori Nelson’s “Coming of Age” and Moki’s “No Place Like Home”

Brooklyn based artist Lori Nelson and German artist Moki Mioke, who goes by "Moki", illustrate different ideas of 'strangeness' in their art. For Nelson, this is embodied by her characters' physical appearance, while Moki finds it in her surroundings. The two artists will exhibit together at the Cotton Candy Machine gallery in Brooklyn on September 11th. For her exhibition titled "Coming of Age", Lori Nelson expands on her cast of young monster-movie inspired subjects covered in hair and scales. Like one of horror's most famous characters, the monster of Frankenstein, Nelson's are also perpetually misunderstood.
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