Swiss painter 
Swiss painter Barbara Tosatto’s work takes cues from the storied and symbolic. Most of her pieces focus on a solitary figure, transplanted in some vacant background, isolated from indicators of time or setting. These figures are human, but disrupted — bound in sheets and gauzy veils, or weighed down with ropes or chains. With titles like “The Tyranny of Doubt” or “The Truce” it’s hard not to see the pieces as portraits of mythological characters, embodying some archetypal human ability or curse. Mostly depicted with their faces obscured, or contorted from some type of bondage, the figures’ entrapment seems more tragic in their desolate surroundings, offering no alternative to the struggle. But their situation is still somehow noble, if seen as shouldering the weight of humanity’s conditions.
A terrifying force from the natural world comes into focus in Jana Euler's current show, “Great White Fear,” at 
Using stills from early propaganda films or frontier paintings as a basis, the layered paintings of 
Amy Crehore brings her joyful paintings to La Luz de Jesus Gallery with the aptly named "Bathers, Buskers & Cats." The show, running through Dec. 1 at the Los Angeles space, offers a set of oil on linen works that move through time, cultures, and touches of surrealism, all while staying true to that title.