Menu
The New Contemporary Art Magazine

Yoshitomo Nara’s “New Works” Characterizes Alienation, Anger and Curiosity

Stephen Friedman gallery in London is currently showing their fourth solo exhibition with acclaimed Japanese artist, Yoshitomo Nara, covered here. Following his recent solo exhibitions at Yokohama Museum of Art, Japan, Asia Society Museum, New York, Asia Society Hong Kong Center and Reykjavik Art Museum, Iceland, "New Works" is the simple title of the current exhibition by one of the most important living contemporary Japanese artists.

Stephen Friedman gallery in London is currently showing their fourth solo exhibition with acclaimed Japanese artist, Yoshitomo Nara, covered here. Following his recent solo exhibitions at Yokohama Museum of Art, Japan, Asia Society Museum, New York, Asia Society Hong Kong Center and Reykjavik Art Museum, Iceland, “New Works” is the simple title of the current exhibition by one of the most important living contemporary Japanese artists.

Consisting of new paintings on canvas, paintings on cotton mounted wood panels and works on paper, Nara continues his recognizable style that characterizes alienation, anger and curiosity. Though often associated with Japanese pop culture, anime and manga, his work is greatly influenced by the post-war Japan and growing up in the rural north of the country, reading illustrated children’s books and listening to Western music from the radio of a nearby military base. These inputs resulted in creation of complex child-like characters, battling serious emotional states, often wide-eyed, smoking, swearing and listening to punk rock.

For this showing, Nara painted new paintings on canvas, ‘billboard paintings’ (patched cotton mounted on wood panel) and a series of drawings on paper. The new paintings are more painterly than his previous works, more colorful and containing subtle layering. The ‘billboard paintings’ are in contrast to canvas works, more flat and featuring iconic or catchy imagery, while the drawings are the most natural for the artist. “Without being conscious of the eventual audience, I usually follow my emotions and just draw. For this show, I am exhibiting a series of drawings that I think of as being mental images without color. It is probably the first time that I have shown so many of these drawings all at once,” says the artist about his work.

Concurrent with his solo exhibition, the gallery is showing a group show “Horizon That Appears Out of The Sleepy Woods” curated by Yoshitomo Nara, featuring works by Yusuke Asai, Takanobu Kobayashi, Kyoko Murase and Syozo Taniguchi. Each of the included artists is working in and around Tokyo, who have never exhibited in London before.

Yoshitomo Nara is a featured artist in the Turn the Page: The First Ten Years of Hi-Fructose Exhibition- tickets on sale now.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Tokyo-based teamLab is a group of 9 creators- artists, video, sound designers, and programmers- who transform spaces with their interactive installations. Their most recent installation "Flowers and People – Gold and Dark" is now on view at the Japan Society in New York. It is part of a larger exhibition that includes works by Manabu Ikeda and Hisashi Tenmyouya, their "Garden of Unearthly Delights". A monster tsunami has just uprooted a major city. teamLab's contribution represents a perpetual blooming and withering of life.
Coinciding with the opening of "BLAB!" at Copro Gallery last Saturday was Yoko d'Holbachie's "Genesis of Girls". Over the course of her career, featured in Vol. 6 in 2007, d'Holbachie has created candy colored paintings inspired by the stories of time. One of her greatest inspirations is traditional Japanese folklore and legends. Her characters are non-human and androgynous with a feminine touch, found in her symbols of butterflies and birds representing fertility. Her latest solo show is a reimagining and exploration of the origin of girls from various cultures.
Japanese pop artist Keiichi Tanaami (previously covered here) has a new exhibition on view at Tokyo's underground gallery, Nanzuka. "Cherry Blossoms Falling in the Evening Gloom" is named after his show's titular piece, an effort to take the darkest of his personal experiences and turn them into a positive image. The 3-meter painting leads into a transformation in the artist's motifs, known for his glowing, grotesque creatures, which are shown emitting light.
The characters in Yoskay Yamamoto's paintings are often portrayed submerged in water. With eyes half-closed and a serene expression on their faces, they seem at peace in the cool blue seas painted from the artist's dreams. The concept of being submerged, for Yamamoto, represents his place between cultures as a Japanese artist living in America. His ocean possesses a strong physical and emotional power because of this. It's waters contain new elements in his latest series of 12 paintings, debuting on Friday at the Honolulu Museum of Art's Contempo #ArtShop, curated by Giant Robot.

Subscribe to the Hi-Fructose Mailing List