Menu
The New Contemporary Art Magazine

David M Cook’s ‘Bone Thrower’ at Cotton Candy Machine

Brooklyn based artist David M Cook (Vol 17) recently opened ‘Bone Thrower,’ an exhibition of new work at Cotton Candy Machine. Perfectly matching the colorful décor of the shop and gallery, the bright works feature Cook’s impressive line techniques and signature beastly skull faced figures. Engaging in occult inspired rituals and battles, the foreboding creatures appear fashioned in elaborate battle gear, an interestingly visual contrast to the candy hued palette. View more images of the new works and opening night photos, here on Hi-Fructose.

Brooklyn based artist David M Cook (Vol 17) recently opened ‘Bone Thrower,’ an exhibition of new work at Cotton Candy Machine. Perfectly matching the colorful décor of the shop and gallery, the bright works feature Cook’s impressive line techniques and signature beastly skull faced figures. Engaging in occult inspired rituals and battles, the foreboding creatures appear fashioned in elaborate battle gear, an interestingly visual contrast to the candy hued palette. View more images of the new works and opening night photos below, here on Hi-Fructose.

Artist David M Cook (R)

Artist David M Cook

Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
An imaginative animal kingdom unfolds in Creatura, a new print from Mark Ryden available through Porterhouse Editions that will benefit Creatura Wildlife Projects. Read all about it by clicking above!
Younguk Yi’s work delves into the dimensions of repetition, where figures are deconstructed and reassembled in fragmented ways. The repetition and arrangement of figures create a sense of transformation, encouraging the viewer to reconsider how we perceive the subjects. These elements function as a means of reconstructing and amplifying the form, revealing its presence in a heightened and dramatic way. Read the full article by Caro by clicking above.
Hi-Fructose 76 is Coming. Click Above to see sneak peeks from the next print issue.
Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.

Subscribe to the Hi-Fructose Mailing List