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The New Contemporary Art Magazine
Los Angeles based artist Soey Milk paints confident young women in boldly colored clothing inspired by the imagery of her Korean heritage. Featured here on our blog, her slightly amorous oil portraits are imbued with mystery and personal discovery. On October 1st at Hashimoto Contemporary in San Francisco, Milk explores her intimate world with a new series of paintings and drawings. In the tradition of previous exhibits, the series is titled in her native Korean "Pida (피다)", which translates to blossoming or becoming something else.
Artists Soey Milk and Joey Remmers were on hand to celebrate their side by side openings at CHG Circa on Saturday. Newly graduated from Pasadena Art Center, Soey Milk was in especially high spirits- her paintings are the culmination of an "unhurried journey" to becoming a fulltime artist. Her solo exhibition "Sinavro" (previewed here) embodies focus and uncertainty that any budding artist might experience. Milk's brush tells us her story, as rocky as her impressionistic strokes which meet points of detail. Her women appear strong and confident in their boldy colored robes, decorated with traditional Korean motifs. Underneath, hints of nudity add an element of carefreeness and mystery that tempt the viewer.
Soey Milk has seen a lot of creative and personal growth in the past year- she tackles life with the same focus as her precisely detailed, figurative paintings. When we last caught up with her, she was still a student at Pasadena Art Center and experimenting with a new style that incorporates colorful drapery. Recently graduated, her upcoming show at CHG Circa on December 13th showcases the result of her progress. Appropriately, the exhibition title "SINAVRO" loosely translates from Korean to "To progress slowly, almost imperceptibly." Her identity as a young woman living between two cultures, Korean and American, is represented in her intermixing styles.
Photographer Allan Amato's "Temple of Art" is a series of portraits of fine artists over two years in the making. His black and white images provided the canvas onto which the subject was encouraged to interpret his or her likeness. You could say these are artists who look like their art; Jasmine Worth shares the regal quality of her Madonnas, Danni Shinya Luo has the grace of her watercolors, and so on. Opening December 5th at La Luz de Jesus, their collaborative exhibition enhances their personal characteristics and quirks.