Simon Lice‘s wood-cut relief collages are stirring looks inside the human body. In a recent show at Outre Gallery, titled “Headaches Coughing Fits,” the artist offered a set of these works, combining talents in drawing, printmaking, and curation of hues. The Melbourne-based artist, a jeweler by trade, is also influenced by tattoo culture.
Trevor Knapp’s linocut prints use texture and value to create absorbing scenes. The process, in which artists cut pieces away from a sheet of linoleum and use the design to create ink prints, takes on a ghostly quality at the hands of Knapp. Shadows and mystery tend to play major roles in series like “Memories of a Metropolis.”
Luke O’Sullivan, a printmaker and sculptor based in Philadelphia, combines media and perspectives to detail fictional environments. In “Rise and Shine,” a new show at Paradigm Gallery, O’Sullivan offers a collection of new work that he says are about exploration and adventure. “I make sculptures that illustrate invented and undiscovered worlds,” the artist tells us.
Eric Nyquist‘s enthralling drawings and paintings are vivid explorations of both natural and manmade forms. The artist, often playing with color and shape, crafts illustrations that often must be dissected and studied. The result are pieces that tow the line of being both humorous and dangerous.
Jose Naranja, a self-described “notebookmaker,” creates works of art out of the typical writing pad. He sells these notes in the form of “The Orange Manuscript,” an elaborate, multilingual exploration of the writer/artist’s mind and observations. The artist considers the work “a love letter to notebooks, a flight of fancy and also a part of me.”
In works that “explore our notions of contentment and security,” artist Dietrich Wegner creates surreal images that bring clouds closer to the earth and explores identity through logos embedded onto children. These are works full of contradiction, both humorous and sobering, whimsical and harrowing. The ideas are conveyed in both sculptural works and prints, offering several points of entry into the mind of the artist.