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The New Contemporary Art Magazine
French artist Mathilde Roussel has been turning heads with her strange suspended installations. (We first posted her living grass sculptures on our Facebook page here.) Roussel’s work expresses complicated feelings and life’s changes through manipulation of the material. She previously explored the human form, shown endlessly falling or embracing in mid air, sometimes leaving behind a shell of clothing or skin. Like the empty chrysalis of a butterfly, these ‘skins’ serve to represent the memory of our former selves. Read more after the jump.