Montreal, Canada based visual artist Katherine Melançon brings a new energy to the classic still life in her trippy photographic works. Though her mesmerizing images may look it, they are not entirely digital; they are created using a variety of processes and techniques achieved with digital tools and camera-less photography such as photograms. As in her "Nature Morte" series, subjects like flowers, fruits, chicken, and other inanimate subjects are moved while she is scanning them, creating an ephemeral effect with smoky smudges. Images like these exist at a cross-section between traditional art making and a more contemporary practice that uses machines, as well as figurative and abstraction.