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The New Contemporary Art Magazine
Jos. A Smith’s dreamlike paintings move between elegance and cacophony. His horse-riders, specifically, carry a quality have a surreal, yet granular quality that invites close inspection. Part of the artist's work his rooted in his practice of "of trance techniques learned from the Nyngmapa sect of Tibetan Buddhism, research psychologists, anthropologists, and shamans with my own dream records to make that membrane between my waking state and my unconscious more permeable."