Canada based artist Brendan Tang creates classical influenced vases infused with the kind of visual dynamism found in Japanese manga. First featured in Hi-Fructose Vol. 6, Tang continues to develop his mecha-like “ormolu” which combine contemporary subjects with 18th century era ceramic art techniques. Over the years, his art objects have increased in size, as in his recent collaboration with artist Alex McLeod, and he has also branched out into digital drawings.
Tomorrow night, Canadian artists Sarah Joncas and Camilla d’Errico bring together their colorful concepts of beauty in “Beauty in the Breakdown” at Thinkspace Gallery, Los Angeles. Their exhibition falls on the near 10 year anniversary of their first showing at Thinkspace, which showcased their complementary design sensibilities. Since then, both artists have developed in leaps and bounds stylistically, here portraying a spectrum of emotions in their portraits of women. Check out our preview after the jump.
This Saturday, Junko Mizuno continues her 3-part series, “Junko Mizuno’s Food Obsession”, with “Ambrosial Affair” at Narwhal Contemporary gallery in Ontario. The first part was “Venus Cake”, where she set the stage for these overeating witch-like idols in a state of psychedelic euphoria. They live in a world of fantasy, inspired by the fact that certain foods can get you in the mood and help get your blood flowing down there. ‘Obsessed’ with the theme of gluttony, Mizuno has strongly linked her subjects to their food fetishes.
When Finland based artist Kim Simonsson began experimenting with figurative ceramic art in the 90s, it caught people by surprise. The term ‘ceramic’ brings to mind sophisticated objects, but his is a decidedly unusual mix of Eastern traditional materials and pop culture. “The subject of my work, as a rule, are children, animals, or something in between,” he shares. There are glazed-white ghostly children ‘bullying’ exotic wild animals like panthers and deer, or jumping into metallic puddles. See more after the jump!