Berlin-based American artist James Bullough splinters and fractures hyper-realistic paintings of women to open spaces through which complex and unfinished stories are revealed. The vibrancy of skin tone and naturalistic musculature in Bullough's technique were learned through an intensive study of Old Master paintings. Bullough's interest in Old Masters is also evident in the way in which several of his nude subjects stare at the viewer, while taking care to keep their faces at least partially concealed.