In Hiroaki Ito’s paintings and drawings, he depicts Japanese businessmen—referred to as “salarymen” in their respective country—in perpetual states of submission, anguish, self-assuredness, and general unrest. His intimate angles, often below the subject, looking up, punctuate the moods he evokes with these suited, white-collar workers. These men and women are caught in mid-apology, somber reflection, or even near-vomiting.