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The New Contemporary Art Magazine
You have probably seen the work of Lithuanian artist Karolis Strautniekas- he has worked with Audi, Mini Cooper, The New York Times, among many other global enterprises; while his personal projects are lesser known, they powerfully convey Strautniekas’ aptitude for color and composition. “Portraits from Behind,” one of his ongoing personal projects, takes an unconventional perspective when approaching portraiture. This voyeuristic series of illustrations focuses on those intimate moments when our backs are turned.
Flowers are a triumph of evolution unlike any other organism on the planet, a riddle that haunted father of evolutionary theory Charles Darwin for years. With so many kinds flourishing in every corner of the earth, from the breathtakingly beautiful to simply weird, they seemed to defy natural selection, the foundation of his work. In the spirit of Darwin's botanical studies, Japanese artist Macoto Murayama attempts to unlock the beauty and genetics of flowers in his incredible computer-generated illustrations.
South Carolina based artist Chris Nickels creates digital illustrations inspired by scenes from his surroundings and childhood spent in Athens, Georgia. Among his favorite memories are hiking and fishing in the river with his friends, which explains his affinity for nature. He is also a fan of old cameras and polaroid photography which he sometimes posts to his instagram account. His palette is reminiscent of his polaroid's faded colors like light greens, earthy blues, yellows, and corals. Each work begins at the drawing stage using traditional materials like pen, ink, acrylic, and pencil before it is finished off digitally. Nickels calls Photoshop the "glue" that brings the piece together.
British digital artist Magnus Gjoen has an unmistakeable style that decorates macabre subjects, previously featured here. It's jarring but also awe inspiring work that makes you look twice; images of the crucifixion, political figures, and flowery skulls that recall his hey-day at Vivienne Westwood. In recent months, Gjoen has addressed our definition of beauty using opposing symbols of war and high society.
Italian artist and designer Andrea Minini makes a living creating brand logos and graphics, but as a personal project the artist recently created the "Animals in Moire" series. A collection of black-and-white digital illustrations, the works take inspiration from the animal kingdom. But the shapes in these portraits of peacocks and pumas are anything but organic. Uniform curves outline the contours of he animals' faces. The creatures become abstracted and almost architectural, defined by mathematically-plotted shapes. The high-contrast, monochromatic patterns create the illusion of depth and dimension, yet the forms appear hollow and mask-like. Take a look at the fun series after the jump.