Some of the most compelling art comes from the combination of opposing values. The group exhibition “A Primitive Future”, opening on December 5th at Subliminal Projects in Los Angeles, aims to address questions of a future interpreted through the past- questions like, “How will colonialism take shape in the future?” or “What can the future look like?” The show features new work by artists featured in Hi-Fructose and on our blog: AJ Fosik (HF Vol. 18), Ben Venom, Frohawk Two Feathers, Haroshi (HF Vol. 30), Lucien Shapiro, and Ravi Zupa. The six artists collectively weave together past and future practices in a variety of media, never landing on one particular interpretation.
Traditional quilting meets a unconventional use of textile art in San Jose Museum of Quilts & Textiles’ upcoming exhibition, “Found/Made.” Curated by Roderick Kiracofe, the exhibit brings together quilts of historic and unknown origin with those by contemporary artists, including Ben Venom (covered here), Clay Lohmann, Joe Cunningham, Luke Haynes, Sabrina Gschwandtner, Sarah Nishiura, and Theresa May. Their works match their predecessors’ classic techniques, but depart to tell a modern narrative.
Now on view at Mark Moore Gallery’s project room is “Hunting Trophies” by Jeremy Fish, marking his first solo exhibition there. (We previously covered Fish’s work at Mark Moore gallery here.) Fish injects a high dose of color to the space where he appears next to Christopher Russell’s monochromatic prints, “GRFALWKV”. Walking into the exhibit is like stepping inside Fish’s own trophy room, stacked with cartoon animal ‘kills’ in his highly saturated, illustrative style. Hi-Fructose caught up with Fish to talk about his new work.