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The New Contemporary Art Magazine
In "Exit Reality," oil painter Ana Bagayan offers encounters between humans, extraterrestrials, and hybrid lifeforms. The show runs Jan. 4-27 at La Luz de Jesus Gallery in Los Angeles, offering a collection of sparse, mysterious works. Bagayan was last featured on HiFructose.com here.
When astronauts went to the moon in 1968 with the dream of discovering new worlds, something unexpected happened. They looked back, and for the first time, gazed upon the Earth. These otherworldly paintings by Slovakian painter Patricia Koysova capture the same sense of wonder in simplicity and scale. Her colorful images inspired by science blow natural environments out of context and proportion to admire their raw beauty. It’s as if Koysova has taken our most recognizable landmarks and placed them under a microscope. Her massive works zoom into icebergs until they become dramatic shades of bright blues, while the evolution of a star starts to look like entrails. Through their abstraction, we’re able to focus on the commonality of these seemingly different things. Read more after the jump!
On Saturday at Thinkspace gallery, Ana Bagayan continued her foray into the deepest reaches of space with “Children of the Sun”. Her alien-like children first made their appearance in her last exhibition with Thinkspace, “There Is Time to Kill Today” (covered here). For that show, her paintings explored the unknown within the realm of her imagination. Bagayan’s latest work is inspired by something closer to home, her own cultural ancestry. “I became interested in my Armenian heritage, and that eventually led me to reading about Sumerian scrolls and ancient mythology,” she shared with Hi-Fructose on opening night. Sumerian creation myths tell the story about how the world began and people first came to inhabit it. Some theorists claim the writings offer proof of alien visitors. Bagayan tells her own version of the conception of human and animal life by an imaginary alien race of various anthropomorphic forms. Read more after the jump.