by Andy SmithPosted on

Seamus Conley‘s recent oil paintings offer a convergence of reality and digital fantasy. In that latter world—and in materialism—there’s a hope for fulfillment that Conley explores. His recent body of work is currently on display at Andrea Schwartz Gallery, in a show that runs through Dec. 21.

by Andy SmithPosted on

Mary O’Malley‘s recent ceramic work appears as a dining set salvaged from wreckage scattered along the seafloor. In her current show at Arch Enemy Arts, “A Seat at the Table,” her work is presented as a full-room installation in which a dining service is set. At the artist’s hands, porcelain, glaze, and gold become a convincing display of the organic overtaking high-class artifacts.

by Andy SmithPosted on

The practice of Jesse Draxler, who recently illustrated the cover of the new Daughters album, combines painting and photographic collage. Working primarily in grayscale, both the artist’s illustrative and fine art work are packed with harrowing portraits. The artist has also crafted work for the bands Vowws and Deafheaven.

by Andy SmithPosted on

“Sawdust provocateur” AJ Fosik crafts totem-like wooden sculptures influenced by taxidermy, rituals from varying cultures, and folk art. He’s also one of three artists crafting installation projects at SCOPE Miami Beach‘s atrium (Dec. 4-9), marking Hi-Fructose’s 14th year in publishing. Fosik was the cover artist for Hi-Fructose Vol. 18 and was last featured on HiFructose.com here. Below, he talks to us about what’s ahead:

by Andy SmithPosted on

Evren Erol’s mixed-media sculptures appear to exist in states of change, dissipating or entering into life. Blending acrylic painting on polyester and wood, the artist is able to convey figures that are seemingly liquid in nature. And while cerebral in concept, the work’s most striking quality is how visceral that transformation appears.

by Andy SmithPosted on

Recycling packaging materials and other discardables, photographer Suzanne Jongmans crafts Renaissance-style portraits that examine contemporary consumption. The artist finds value in these otherwise overlooked materials; elsewhere, she piles clothes and finds beauty in unfinished garments.