Menu
The New Contemporary Art Magazine

Search Results for: vol preview

Here's a sneak peek at the next issue of Hi-Fructose, in mailboxes and on shelves around the world in January! This issue features: the paintings of Eunjeong Choi, the paintings of Riika Sormunen, a retrospective on the art and life of Eyvind Earle, the narrative quilts of Bisa Butler, the geometric B-Boy sculptures of Taku Obata, the dense digital collages of Luis Toledo, cover artist Mitsuru Watanabe's take on classic paintings, the figurative paintings of Kati Heck, and a review on a new documentary on special effects legend Phil Tippett! Plus: a 16-page insert on the drawings of Ozabu printed on fine toothy paper, and more. Reserve a copy here—or even better, get a one-year subscription here or a two-year subscription here.
The Internet has changed the art world immensely, and Giant Robot has been there to witness and evolve alongside it. Conceived as a humble, photocopied zine focused on Asian American arts and culture in 1994, Giant Robot now exists as an unclassifiable entity. It was published as a magazine for 16 years and later manifested in the physical realm as an art gallery and shop, as well as a website. To celebrate its 20 years, Giant Robot 2 in LA will debut "Giant Robot Presents: 20 Years Art x Mags," an extensive group show featuring many established and emerging talents. Among the line-up are Yoshitomo Nara, Takashi Murakami, Ryan McGinness, Geoff McFetridge, Yoskay Yamamoto, Jeff Soto, James Jean and a great number of other artists. "#GR20Years," as the show is nicknamed, opens March 15, 5 - 10 pm, and will be on view through April 2.
Both based in Berlin by way of Australia, Two One and Reka (see our recent studio visit here) are exhibiting together at StolenSpace Gallery in London in two concurrent solo shows: Reka's "Trip the Light" and Two One's "The Hunted Hunter's Head." Inspired by the graceful movements of dancers from a young age, Reka (whose mother was a ballerina) presents a series of paintings that pay homage to the fluid, abstract shapes the body can make. His Cubist-inspired paintings might have one imagining a toe-tapping soundtrack of jazz or even the swell of a symphony, but Reka tempers these allusions to older, more traditional art forms with gritty paint textures that evoke his graffiti roots.
The 77th issue of Hi-Fructose is coming soon. Click above to see previews!
Tessar Lo/Roq La Rue Preview from Modus Films on Vimeo.

Check out this great preview/video of artist Tessar Lo, who's showing with painter Moira Hahn and Bill Blair.

Psst! You can get a sneak peek of the show here!
With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings. In the show, viewers find an artist who influenced a generation and a transformative moment in his practice upon moving to Brazil. Green was most recently featured in Hi-Fructose's print magazine with Volume 35.
New York-based artist Naoto Hattori, first featured in HF Vol. 7 and most recently, HF Vol. 35, creates dreamy paintings that are snap shots from his visionary world. It is there in the private recesses of his consciousness where his subjects thrive, he says. Opening July 18th, Hattori's next exhibition at Copro Gallery in Los Angeles titled "Genesis" delves even deeper into the artist's mind - where we dare to think about our creation and place in the universe. See more after the jump.
Matthieu Bessudo is a fantastic young French Artist residing in England whom we interviewed in Vol.8 of Hi-Fructose (now at press!) Here is a reel showing some of the drawings that we'll be showing in the article, brought to life, as well as clips of his animations.


Video preview of the upcoming "Fresh Faces" show at Project Gallery this Saturday September 6th, featuring Nimit Malavia, Yuta Onoda, Dominique Fung and Martha Chan

Artist and animation director Joe Vaux paints what he likes. His personal work is teeming with impish demons. His cheerful hellscapes are populated with lost souls, sharp toothed monstrosities, and swarms of wrong-doers. And yet, there’s an innocence to all of this. Click to read the Hi-Fructose exclusive interview with Joe Vaux.
Our next issue features a plethora of issue exclusive articles, printed on fine art papers, Hi-Fructose 71 features a cover feature on the sculptures of En Iwamura, the paintings of Michael Koehler, Bjorn Lie's ultra bright botanical paintings, Ana Barriga's fascination with kitty objects, Jack Kenna's Milk Crate paintings, A special insert section dedicated to the work of James Linickas printed on sketchbook paper, Vickie Vainionpaa's Gaze paintings, Bella Ormseth's anthropomorphized mushroom paintings, Andrea Koch's deeply moody rural portraits. Plus multi-page reviews of the new Geoff McFetridge film, and Gena Marvin's movie Queendom. and more! Click above to see a few previews.
Get a sneak peek at the next print issue of Hi-Fructose New Contemporary Art Magazine! Click Above.
Cartoonist Jay Howell is "looking forward to the next thing, always". Click above to read the full article.
For its "15 Years of Thinkspace" show, Thinkspace Projects asked more than 70 artists to craft works on 15"x15" panels. Among the featured artists are several veterans of our print magazine, including Cintal Vidal (Vol. 51), Jeremy Geddes (Vol. 15), Mark Dean Veca (Vol. 23), Yosuke Ueno (Vol.10), Laura Berger (Vol. 44), and several others. (See the complete list of artists below.) The show kicks off on Jan. 11 and runs through Jan. 25.

Check out videos featuring several of the artists featured in Hi-Fructise vol.14: Van Arno, Lola, Gregory Euclide, and Hi-Fructose favorites Travis Louie (HF vol.5), Nathan Spoor (HF featured writer and artist), Audrey Kawasaki (HF vol.6), Camille Rose Garcia (HF vol.8), and many more.

On January 24th, Gen Art members celebrated the 2010 Grammys at the private Opening Exhibition and Party of artist portraits of Grammy-nominated artists, curated by artist Kris Lewis, with support from will.i.am.

As a follow up to last year's successful "Worlds on Fire" artist exhibition, this year will.i.am, Dipdive, and the Grammy Foundation will present "Who Killed the Music?" art collection that will help kick-off Grammy Week at The Target Terrace on January 24th-27th . The gallery will host 15 pieces from the hottest contemporary surrealist artists, which will present a new and powerful perspective on the state of music today.

A portion of the proceeds for all works sold will be donated to the Grammy Foundation and i.am Scholarship Foundation.


Be sure to click the Playlist button on the video below to see more videos from Van Arno, Lola, Gregory Euclide, and Hi-Fructose favorites Travis Louie, Nathan Spoor, Audrey Kawasaki, Camille Rose Garcia, and many more!
With works that simultaneously convey the awe of nature and the whimsy of fairy tales, Clémentine Bal sculpts a world full of wonder and imagination. Read Liz Ohanesian's full article on the Hf 63 cover artist by clicking above.
Sam Gibbons isn’t letting you off the hook. Sex, violence, religion, ego—everything comes together in colorful palettes unrestricted by shape or form. His rare, vibrant paintings are teeming with images both familiar and grotesque, and they’re demanding some careful attention Read the full article form our archives by clicking above.
Building a wunderkammer is a surrealist exercise, in a way,” Paris-based Amandine Urruty explains of the cabinet of curiosities motif that appears in her work. “I tend to gather objects I like, ‘90's toys, luxury vases, miniature chairs and a bunch of skulls. The cabinet of curiosity is a decor, and each case of it is a decor inside the decor, where small characters play small sketches.” Read Liz ohanesian's full article on the artist by clicking above.
Oil painter Vasilis Avramidis, first featured in Hi-Fructose Vol. 26, produces modern portraits of isolated landscapes, often depicting architecture in states of overgrowth. At the time of this interview, Avramidis confessed that he has settled in to his third studio location this year, a small studio in northern Greece. It is here that he has been putting the finishing touches on a new group of dramatically lit scenes based on memory and the overlooked. According to Avramidis, these paintings are as much about creating a familiar sense of place within a moment as they are about the absence of humans within the architecture. His latest works will be on view at The Contemporary London, located at Space W10 which opens on November 13th.
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
The women portrayed in Prudence Flint’s paintings are caught in moments of quiet, reflection, and impermanence. They appear fixed in a moment of repose ripe for interruption. Perhaps they are lying on the grass, or changing an infant’s diaper, or awash in warm water mid-shower. Regardless, there is a certain mood shared among her works. Read the full interview with the artist by clicking above!
From Moscow to Osaka, Timur Fork’s “plasticine realism” has been turning heads. In recent years, the Russian painter, who got his start in the street art world, has developed a unique specialty in works that capture the textures and colors indicative of the kid-friendly modeling clay known as plasticine.Read the full article by clicking above!
"Color for me is very much about that initial emotional impact; it is almost like a precursor to the mood of a painting,” says Koak. Read the full article on Koak by clicking above.
In Ghana, while the cinematic menu was delightfully omnivorous, there were not nearly enough screens to satisfy the locals. This was particularly true in rural areas where only the occasional informational film had been brought by the colonial government on a green-and-yellow Bedford bus. The arrival of video changed everything. Read Silke Tudor's article on the evolution of the hand-painted movie posters in Ghana by clicking above.
Discussing Haroshi's work is impossible without having a conversation about skateboarding. The Japanese artist's wood sculptures—objects composed of skate decks that look as if they have been melted into new forms through an obscure alchemy—balance loud, in-your-face subject matter with painstakingly laborious craft. Read all about the artist by clicking above!
Vincent Castiglia started experimenting with painting in blood in 2000. He was eighteen. By 2003, he was using it exclusively. Read Mike Mariani's full article from our archives by clicking above!

Subscribe to the Hi-Fructose Mailing List