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In Alex Chinneck’s recent work, the sculptor bends and warps otherwise stubborn objects to his will. "Growing up gets me down" is a working oak grandfather clock "knotted" by Chinneck. "Birth, death and a midlife crisis" was an indoor sculpture that "tied a 450-year-old column in the German museum of Kirchheim Unter Teck." The artist was last featured on HiFructose.com here.

Alex Pardee gets sucker punched while creating a mural for Shia LaBeouf. See more work form Alex in the Hi-fructose: Overdose show April 4th at Copro Gallery in Santa Monica.

Be sure to check out this studio visit with Pardee and Zero friends and look for Alex in the HF Collected Edition where we feature an expanded article on him.

Chadam trailer

"Cutting-edge artist Alex Pardee and producer Jason Hall of HDFILMS Inc. are teaming up on a 3D animation project based upon Pardee’s character of the same name. Initially introduced as a character icon for the popular rock band The Used, Chadam has become an Internet phenomenon.

Ever want to sleep at a museum? Neither did we, until we went to 21c. We recently stayed at the 21c Art Museum Hotel in St.Louis as well as the 21c in Bentonville, Arkansas and had the best time. 21c locations combine actual contemporary art museum gallery exhibitions which are free and open to the general public. Read our hifructos.ecom exclusive interview with 21c's curator Alice Gray Stites by clicking above.


Kirsten Anderson visits with Netherland painter Chris Berens at his studio, discussing his unique process of working. Camera and Editing by Kenny Montana for Hi-Fructose Magazine. We're very pleased to premiere this amazing artist with a ten page feature by Kirsten in Hi-Fructose Volume 9.


Part II of Kirsten Anderson's visit with Netherland painter Chris Berens at his studio, discussing his unique process of working. Camera and Editing by Kenny Montana for Hi-Fructose Magazine. We're very pleased to premiere this amazing artist with a ten page feature by Kirsten in Hi-Fructose Volume 9. Look for his solo show at Roq La Rue in Seattle coming this December and exclusive coverage of the show on hifructose.com

Working with cardboard, artist Nonamey recreated a heightened version of his room from that time in an impressive installation at Brassworks Gallery in Portland, Oregon. Click above to read the full interview and have a look inside the installation.
Last weekend, Thinkspace Gallery debuted "New Works" by Tran Nguyen and Erik Jones, who both treat the classic human form with abstract elements. Although separated by choice of color and medium, this exhibition seamlessly merges their illustrative styles. The new work of Brooklyn-based Erik Jones clothes his nudes in highly saturated patterns and geometrical shapes. The happy, bright colors of the foreground seem to mask a melancholy expressed by Jones’s subjects. This tension is intentional; Jones offers the idea of opposing visual relationships by merging beautifully rendered portraits with mixed media “fashions." With fashion serving as an inspiration, his “models” convey the indifference of one caught off guard or a moment in time. In some cases, the figure disappears completely. Read more after the jump.

Kiel Johnson builds a beautiful big ass twin-lens reflex camera resembling an old Rolliflex or Minolta windup complete with strap - and it actually works as a pinhole camera. Look for Kiel in HF Vol.14 early January 2010.

Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse.

As the saying goes, "the best things come in small packages". Philadelphia gallery Arch Enemy Arts has challenged artists to create their smallest works to date for their annual group show, "Small Wonders". For its fourth installment in a row, "Small Wonders 4" features over 75 small pieces by artists from all over the world, including 64 Colors, Alex Garant, Brian Mashburn, Caitlin Hackett, Caitlin McCormack, Craww, Hanna Jaeun, Maria Teicher, Matthew Greskiewicz, and many more. As with previous showings, all the work is sized under 12 inches.

Hi-Fructose Collected Edition Hardcover book is available for purchase. This is a "best of" selection from the first four hard-to-find volumes of Hi-Fructose in one hardcover 250-page edition. View preview images here!


Here's a video from London's recent Cans Festival, a celebration of street and stencil art in Waterloo Station's underground tunnel. Thanks to our new friend Cristobal for the links! More on the festival here.


Just as everyone else is catching up to the wall stencil craze, it's great to see the elusive Banksy shake things up and bring his concepts to new mediums with his very creepy recent NYC installation "Banksy's Village Pet Store and Charcoal Grill." The exhibit features animatronicsculptures in a converted petstore that, well, just watch the videos above and below...

While the collective mindset at some street art festivals seems to be "go big or go home," at NuArt Festival in Stavanger, Norway, the line-up of artists seemed more concerned with creating deliberately-placed works with an underlying political punch. That's not to say that a few mammoth pieces weren't painted. Polish duo Etam Cru (who are featured in our current issue, Hi-Fructose Vol. 32), true to their form, left behind a storybook-like mural that added color to the overcast landscape. The piece pictured a sleeping boy tucked into his bed with a can of spray paint sticking out from under the covers — a young artist in the making.
Paris-based duo MonkeyBird is known for enormous stencil work on walls across the globe. Their anthropomorphic figures, often rendered as black-and-white line drawings, are set against gorgeously rendered architecture and Nouveau designs. Recent work has always taken the pair’s work inside spaces.
Artist and animation director Joe Vaux paints what he likes. His personal work is teeming with impish demons. His cheerful hellscapes are populated with lost souls, sharp toothed monstrosities, and swarms of wrong-doers. And yet, there’s an innocence to all of this. Click to read the Hi-Fructose exclusive interview with Joe Vaux.
In his latest “Trash Talking” exhibition, staged in a converted gas station now art space, Leavitt takes on American brans, consumer culture and crafts them out of packaging from other branded products. We interviewed the artist for a hifructose.com exclusive. Click above to read it.
Gil Bruvel’s work seems to be both modern and craft movement inspired at the same time. They are made of hundreds of parts; intricate, yet, when those parts are viewed from a distance, are smooth and cohesive. We’ve asked the artist to delve into his process and themes and a bit of his background as an artist. Click the image above to read our Hi-Fructose exclusive with the artist
Something interesting happens when when artists like Alan and Carolynda Macdonald, who have the painting fundamentals mastered, decide to subvert expectations and perplex a viewers expectations conceptually. Click to read the Hi-Fructose exclusive interview.
The concept of the Wunderkammer, aka The Cabinet Of Curiosities has been an artistic inspiration for some time, however a new show opening in November by Ryan Matthew Cohn and Jean Labourdette takes it up a notch with an exceptional show of sculptures and paintings based thematically on the subject. Click to read the new Hi-Fructose exclusive interview.

Jessica Stoller's porcelain sculptures both examine art-historical notions of the material and how the female body has been depicted. Her current show at PPOW Gallery in New York City, titled “Spread,” offers new pieces from the artist. The show runs through Feb. 15 at the space.

For its "15 Years of Thinkspace" show, Thinkspace Projects asked more than 70 artists to craft works on 15"x15" panels. Among the featured artists are several veterans of our print magazine, including Cintal Vidal (Vol. 51), Jeremy Geddes (Vol. 15), Mark Dean Veca (Vol. 23), Yosuke Ueno (Vol.10), Laura Berger (Vol. 44), and several others. (See the complete list of artists below.) The show kicks off on Jan. 11 and runs through Jan. 25.
Painter Peter Ferguson returns to Roq La Rue Gallery with "Skip Forward When Held," bringing his sensibility that blends notes of the Dutch Renaissance, Lovecraftian creatures, and more. The show, running through January 25 at the space, brings new oil paintings to the space. Ferguson was last featured on our site here.
Darel Carey takes something as simple as a line and creates new worlds and dimensions. The artist says that the work is partially intended to transform the space it inhabits, taking a flat surface and crafting entirely new depth. His projects have recently appeared in the Museum of Selfies, Edwardsville Arts Center, and other spaces. These spacial explorations share a kinship with the work of Felipe Pantone and others who alter everyday canvases.
Robert Proch's acrylic paintings blend abstraction and the figurative, injecting an energy to scenes from the everyday. The Poland native has been able to craft his own visual language with this approach, which he takes to both the canvas and exterior walls across the world. He was last mentioned on HiFructose.com here.
Shawn Huckins combines Internet culture and 18th- and 19th- century style portraits in his work. He offers a new collection of large acrylic paintings in "Athenaeum (I Can’t Pretend That This Is Poetry," an upcoming show at Seattle's Foster/White Gallery. The artist was featured in Hi-Fructose Vol. 32, and he was last featured on HiFructose.com here.
French artist Nicolas Barrome’s wild, cartoonish scenes play with texture and expectation. He does this both on the canvas and on walls, with each piece tethered by Barrome’s rendering of cutesy characters and objects alongside darker elements. In a statement, the artist’s swirling influences are given some context.
Whether it’s on a canvas or an urban wall, Drew Merritt crafts harrowing portraits that are both intimate and elusive, utilizing nondescript backdrops. As vague as some of Merritt’s narratives may seem, each carries an earnest humanity. The artist was last featured on HiFructose.com here, and according to a statement, “has resolved to defy categorization.”
Kenne Grégoire, a painter often associated with the movement New Dutch Realism, moves between still-life paintings and more surreal scenes that capture a humane sadness and other complex emotions, rendered in acrylics. The artist uses techniques derived from the 17th century, yet he approaches his work in a way that pushes the form, twisting perspective and hues to create ambiguous points of view and situations.

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