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The New Contemporary Art Magazine
If you’re not ready for it, the work of Cleon Peterson can feel like a slap in the face. Brutality and violence are revealed on every canvas—whether it’s a 150-foot long wall under an overpass or a 36-inch painting hung in perfectly lit gallery. Power, strength, and cruelty are the only currency in this dystopian world. The weak are strung up, bled out, decapitated, maimed, humiliated, raped, and ruined. Viscera pours from bodies and pools in the gutter. There is no hope... Read the full article by Silke Tudor by clicking above.
The brutal paintings of Cleon Peterson (covered here) have a visceral effect on the viewer, plunging them deeply into a world of chaos, ruin and violence. On August 29th, Peterson brings his iconic style to Detroit's Library Street Collective for his latest exhibition, "Poison." "The show is about revenge, which is a current of poison running through our culture and other cultures around the world." Peterson shares. "It's often a motivation for war and a justification for punishment. It is a social impulse that is destructive and easy to be complicit in." Peterson is deliberate in his unflinching presentation of the darker side of human nature. In this world, muscle-headed brutes cross swords and knives, locked in a cycle of aggression.

Peter Saul

Two decades ago, Erik Parker studied under Peter Saul at the University of Austin. At NANZUKA in Tokyo this month, the two offer a vibrant and arresting duo show. Running through July 6, this program marks the first showing of Saul's work in the country. (Parker was the featured cover artist of Hi-Fructose Vol. 49. Saul was last featured on HiFructose.com here.)
Chris Peters, an artist who emerged out of the Pop Surrealist movement, has used A.I. in a new way to create paintings of landscapes that don’t actually exist. Using an algorithm "capable of 'learning' and 'predicting,'" Peters fed the system a trove of curated landscape paintings. Soon, the A.I. was able to produce new digital images, and after processing and curating those landscapes, Peters painted his favorites in oil.
Peter Ferguson creates scenes filled with intriguing characters often caught in very strange situations. His people quite often exist in darkly humorous fantasy realms where elements like vintage fashion and the occasional nod to pop culture connect their reality to ours. Read the full article by clicking above!
Peter Saul’s surreal acrylic paintings have reflected, challenged, and parodied the status quo for the past six decades. In a new show at Mary Boone Gallery in New York, titled “Fake News,” Saul tackles the era of Trump in a new collection of paintings that rethink pieces of art history in the process. Saul was last mentioned on HiFructose.com here.
Painter Peter Ferguson returns to Roq La Rue Gallery with "Skip Forward When Held," bringing his sensibility that blends notes of the Dutch Renaissance, Lovecraftian creatures, and more. The show, running through January 25 at the space, brings new oil paintings to the space. Ferguson was last featured on our site here.
Sam Gibbons isn’t letting you off the hook. Sex, violence, religion, ego—everything comes together in colorful palettes unrestricted by shape or form. His rare, vibrant paintings are teeming with images both familiar and grotesque, and they’re demanding some careful attention Read the full article form our archives by clicking above.
Aafter nearly two decades as a professional artist, his work retains an authenticity that many attempt, but few master. Read Clayton Schuster's interview with the artist by clicking above!
“When I learned that there was a technique called honkadori, I thought it was interesting,” says Watanabe. “It seemed like an invasion or challenge to the idea of Western art and original works.” Read the full article by clicking above.
With "Louise Bourgeois in the Rijksmuseum Gardens," the Amsterdam museum offers the first major exhibition to focus solely on the beloved artist’s outdoor sculptures. More than half a century is represented in these works, which include her famed, enormous spiders and other unsettling metal forms. Works include “The Blind Leading the Blind” and “Crouching Spider,” both existing on opposite ends of her career.
For its "15 Years of Thinkspace" show, Thinkspace Projects asked more than 70 artists to craft works on 15"x15" panels. Among the featured artists are several veterans of our print magazine, including Cintal Vidal (Vol. 51), Jeremy Geddes (Vol. 15), Mark Dean Veca (Vol. 23), Yosuke Ueno (Vol.10), Laura Berger (Vol. 44), and several others. (See the complete list of artists below.) The show kicks off on Jan. 11 and runs through Jan. 25.

Hi-Fructose is proud to present our 5th Anniversary group show March 13, 2010
Featuring work by a select group of outstanding artists:
Chris Mars, Jeff Soto, Kevin Cyr, Kris Kuksi, Jonathan Viner, Martin Witfooth, Lori Earley, Mark Ryden, Thomas Doyle, Scott Musgrove, Victor Castillo, Amy Sol, Audrey Kawasaki, Brendan Danielsson, Brian Dettmer, Candice Tripp, Jesse Hazlip, Greg "Craola" Simkins, Harma Heikens, Attaboy, Alex Pardee, James Jean, Scott Hove, Sas Christian, Colin Christian, Yoko D'Holbachie, Travis Lampe, Junko Mizuno, Brandt Peters, Mia, Chet Zar, Kathie Olivas, Johnny "KMNDZ" Rodriguez, Sam Gibbons, Annie Owens, Yosuke Ueno, Skinner, Ewelina Ferruso

Copro Gallery, Santa Monica
Show opens March 13th 2010
Closes April 4th 2010
Additional details coming soon...

With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
he paintings of Andrew Hem linger just left of reality. With his instantly recognizable style, Hem blends figurative painting and atmospheric landscapes, echoes of graffiti art and a deep understanding of color harmony. Rendering scenes both urban and rural, modern yet outside of time, he creates works that are a mix of realism and surrealism, personal truths and collective dreams. Read all about the artist by clicking above.
“I was never interested in art. I never got into it,” says Daniel Martin Diaz on a recent phone call with Hi-Fructose. “I never looked at art books. I really, honestly, didn't even know basic things like surrealism like Dali or Escher existed until I was probably, I think, 18 or 19.” That was around the time when Diaz, the Tucson-based artist known for his precisely detailed illustrations merging seemingly disparate subjects like science and mysticism, stumbled into the art section of a library and came across 1920s surrealism. “I just knew when I saw that it just resonated with me so strongly that I just became obsessed by it.” Read the full article by Liz Ohanesian by clicking above.
Wayne White’s pictures start with thrift store paintings... White seizes on a startup surface that was a middle class decorator staple in the ‘50s and ‘60s.. read Mat Gleason's article on the artist by clicking above!
Sean Norvet has long been described as a Renaissance-inspired satirist, a mish-masher of photorealism and cartoons into goofy–gruesome critiques of consumer culture or social media habits or other twenty-first-century concerns. Read the full article by clicking above..

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