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Insa recently crafted a mural that comes alive when viewed through his app, GIF-iti, for the D&AD design festival in London. Resembling a computer desktop, complete with the folders “Final Revision," “Definitely Last Final Revision," and "Absolutely Last Final Revision," the project is packed with humor and vibrancy. The process recalls the work of MOMO and more recently, mapping projects.
Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above!
The murals of Tamara Djurovic, also known as Hyuro, don’t just work with the unique features of a wall: Each integrates its makeshift canvas for site-specific narratives. Her works are often intimate scenes, moving between interpersonal tension and solitary whimsy.
Colorado-born artist David Rice creates stirring acrylic paintings that blend the figurative, abstraction, and notes from nature. His recent work “pushes the limits and boundaries of the physical world through his imagery,” a statement says. Rice was last mentioned on HiFructose.com here.
In Aryz's recent, enormous murals, the painter is able to emulate the loose traits of a pencil or crayon sketch. The effect is deceptively simple, with the artist's broad strokes and figurative decisions creating a kinetic and striking final product. The artist was previously featured here, showcasing a style that varies from his current approach.
As a tribute to this “most wonderful time of the year” artists Lauren YS and Makoto Chi have created twenty-eight works (and a mural) for their new “Five Poisons” exhibition. We’ve interviewed the artists about the work. Click image above to read it, or else.
There's a lot in Sandberg's tool box. He has worked with acrylic and oil, etching and photoengraving. Frequently, he plays with characters that blur the line between human and monster. Their bodies are shaped like ours. Their clothes are like ours, but their covered in hair. Sometimes, they take on the appearance of werewolves with animal-like fur. Other times, the hair spirals off their faces and bodies like think pieces of clumps of brightly colored yarn or long, rolled strands of Play-Doh. Read Liz Ohanesian's full article on the artist by clicking above.
“I'm not even sure I have an imagination anymore,” Toor says. “Or maybe my process of imagining became fully visual: I need to draw and see things in order to imagine new things. Things happen on the canvas and not in my head so much. It's really important for me to stay surprised. I don't see much point in making anything that I can predict..." Read the full article on Ori Tor by clicking above.
Rammellzee was a polymath. Shortly following his start in graffiti in the early ‘70s, tagging trains in his hometown, Far Rockaway in Queens, he began developing a theory about life and liberation through controlling letterforms, transforming words and thought into a new kind of warfare against those that use information to control... Read the full article on the artist by clicking above! (photo by Joshua White, courtesy of the Estate of Rammellzee and Jeffrey Deitch, Los Angeles) Los Angeles)
“My art has always tried to illustrate the spiritual world leaking into the material world. Two worlds affect and play off each other..." Read the full article on Justin Lovato by clicking above!
“I never imagined being a ceramic artist when I was a kid,” Iwamura admits. “I had no interest.” But today, he is a ceramicist living and working in Shigaraki—a small town east of Kyoto and home to one of Japan’s Six Ancient Kilns. Read the full article on the artist by clicking above.
"I’m more interested in revealing the quiet violence of what we call ‘normal’ than in telling anyone what to feel. If a viewer finds their own discomfort in that—it’s a gift, not something I try to control.” Read the full articl on the artist by clicking above.
Julia Randall’s drawings are unexpectedly seductive, like a sudden whiff of perfume caught brushing past a stranger. The content of her work is not something our eyes are trained to scour for signs of sex, but we find them there anyway... Read the full article by clicking above!

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