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Portland based artist Eric Wert, first featured in Hi-Fructose Vol. 32, is known for his larger than life and visually intense still life paintings of plants and food. Though his style is hyper-realistic, there is something about his portrayal of the vibrancy and ripeness of his subjects that makes them more appealing than life. Wert makes every day florals and foods like grapes and tomato look beautiful and evocative with a certain wildness. He has said, "I want to create an image that one can be lost within. To me, still-life painting is about looking intensely. It's about intimately exploring a subject." For his current exhibition at William Baczek Fine Arts in Massachusetts, Wert created a smaller series featuring hydrangea, lilies, pansy, iris, and figs in luscious, glistening still lifes.
Wayne White’s pictures start with thrift store paintings... White seizes on a startup surface that was a middle class decorator staple in the ‘50s and ‘60s.. read Mat Gleason's article on the artist by clicking above!
“I was never interested in art. I never got into it,” says Daniel Martin Diaz on a recent phone call with Hi-Fructose. “I never looked at art books. I really, honestly, didn't even know basic things like surrealism like Dali or Escher existed until I was probably, I think, 18 or 19.” That was around the time when Diaz, the Tucson-based artist known for his precisely detailed illustrations merging seemingly disparate subjects like science and mysticism, stumbled into the art section of a library and came across 1920s surrealism. “I just knew when I saw that it just resonated with me so strongly that I just became obsessed by it.” Read the full article by Liz Ohanesian by clicking above.
Taylor White's vibrant, mixed-media explorations of form and movement evolve in the artist’s newest show, "Physical Phenomena,” running through June 30 at ABV Gallery in Atlanta. White says her latest work “builds upon the universally recognizable visual language of movement” and that she is inspired by the dance community of the North Carolina cities Raleigh and Durham. White was last mentioned on HiFructose.com here.
Just in time for Halloween, the new oil paintings of Beau White are as unsettling as they are absorbing. For this set, the Melbourne-based artist adds new layers to his work by integrating food and sweets alongside his gruesome faces. In a new group show at BeinArt Gallery in Australia, titled “Memento Mori, Memento Amare,” his latest work is collected. Isbael Peppard and Jonathan Guthmann also have pieces in the show.
Talk with Jean-Pierre Roy for long enough and you begin to get the sense that, with the right amount of imaginative discernment, the boundaries between what many perceive to be high and low art are frequently not boundaries at all, but rather intricate, furtive passageways. Read the full article with the artist by clicking above...
he paintings of Andrew Hem linger just left of reality. With his instantly recognizable style, Hem blends figurative painting and atmospheric landscapes, echoes of graffiti art and a deep understanding of color harmony. Rendering scenes both urban and rural, modern yet outside of time, he creates works that are a mix of realism and surrealism, personal truths and collective dreams. Read all about the artist by clicking above.
A terrifying force from the natural world comes into focus in Jana Euler's current show, “Great White Fear,” at Galerie Neu in Berlin. Running through May 30, this collection of the artist’s acrylic and oil paintings centered on sharks is both visceral and varied in approach.
3D Drawing has been at the core of Morling’s artistic practice for roughly a decade. Read all about the artist's work by clicking above.
Paola Delfín’s riveting murals, though monochromatic, are teeming with life on walls across the world. The artist’s recent works, adorning structures in Belgium, Cuba, and Cayman Islands, move between eye-level and towering works, such as the The Crystal Ship piece shown above and below. The artist was born in Mexico City.
With a mix of dark humor and an impressive skill at creating inviting, yet dangerous worlds, the artist known as Bub has caught our eye. Click above to read our new interview with the artist and his new body of work, before it's too late.
For its "15 Years of Thinkspace" show, Thinkspace Projects asked more than 70 artists to craft works on 15"x15" panels. Among the featured artists are several veterans of our print magazine, including Cintal Vidal (Vol. 51), Jeremy Geddes (Vol. 15), Mark Dean Veca (Vol. 23), Yosuke Ueno (Vol.10), Laura Berger (Vol. 44), and several others. (See the complete list of artists below.) The show kicks off on Jan. 11 and runs through Jan. 25.
Get a sneak peek at the next print issue of Hi-Fructose New Contemporary Art Magazine! Click Above.
In Ghana, while the cinematic menu was delightfully omnivorous, there were not nearly enough screens to satisfy the locals. This was particularly true in rural areas where only the occasional informational film had been brought by the colonial government on a green-and-yellow Bedford bus. The arrival of video changed everything. Read Silke Tudor's article on the evolution of the hand-painted movie posters in Ghana by clicking above.
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
“My art has always tried to illustrate the spiritual world leaking into the material world. Two worlds affect and play off each other..." Read the full article on Justin Lovato by clicking above!
If you’re not ready for it, the work of Cleon Peterson can feel like a slap in the face. Brutality and violence are revealed on every canvas—whether it’s a 150-foot long wall under an overpass or a 36-inch painting hung in perfectly lit gallery. Power, strength, and cruelty are the only currency in this dystopian world. The weak are strung up, bled out, decapitated, maimed, humiliated, raped, and ruined. Viscera pours from bodies and pools in the gutter. There is no hope... Read the full article by Silke Tudor by clicking above.
Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above!
The drawings of Laurie Lipton have bewildered and enchanted audiences for several decades. Each piece wields a cacophony of influences and experiences in dreamlike visions. Read Andy Smith's full article by clicking above.
Brett Douglas Hunter is a “do-it-yourself guy.” In fact, he admits to missing this interview because he was working on his car. “I can’t stand to take it anywhere to get fixed,” he says. “I’ll fix it myself.” Read Liz Ohanesian's full article on the artist by clicking above!
Painter Laura Ball's hypnotically engaging paintings give the viewer a multi-planed insight to the roiling energy of the subconscious, as well as the dynamics of the equally vital and tempestuous physical world. Read the full article by Kirsten Anderson by clicking above.
James Lipnickas has used horror tropes for a long time. But his works were once much more linear. That used to mean monsters, aliens, and isolated landscapes that had something haunted about them. A giant worm pouring its effluence into a cabin. A force within exploding the cabin. The horror has changed. Click above to read the full article.
Peter Ferguson creates scenes filled with intriguing characters often caught in very strange situations. His people quite often exist in darkly humorous fantasy realms where elements like vintage fashion and the occasional nod to pop culture connect their reality to ours. Read the full article by clicking above!

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