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The New Contemporary Art Magazine
Taylor White's vibrant, mixed-media explorations of form and movement evolve in the artist’s newest show, "Physical Phenomena,” running through June 30 at ABV Gallery in Atlanta. White says her latest work “builds upon the universally recognizable visual language of movement” and that she is inspired by the dance community of the North Carolina cities Raleigh and Durham. White was last mentioned on HiFructose.com here.
Just in time for Halloween, the new oil paintings of Beau White are as unsettling as they are absorbing. For this set, the Melbourne-based artist adds new layers to his work by integrating food and sweets alongside his gruesome faces. In a new group show at BeinArt Gallery in Australia, titled “Memento Mori, Memento Amare,” his latest work is collected. Isbael Peppard and Jonathan Guthmann also have pieces in the show.
A terrifying force from the natural world comes into focus in Jana Euler's current show, “Great White Fear,” at Galerie Neu in Berlin. Running through May 30, this collection of the artist’s acrylic and oil paintings centered on sharks is both visceral and varied in approach.
Paola Delfín’s riveting murals, though monochromatic, are teeming with life on walls across the world. The artist’s recent works, adorning structures in Belgium, Cuba, and Cayman Islands, move between eye-level and towering works, such as the The Crystal Ship piece shown above and below. The artist was born in Mexico City.
Taiwan may not be the first place to come to mind when you think about street art, but Hawaiian arts organization Pow! Wow! recently made Taipei its second home. For the last week, about 40 international and Taiwanese artists scaled buildings and crossed below highways to bring their fresh paint styles to Taipei. Just a few months ago, the Pow! Wow! team was in Hawaii revamping the walls of Honolulu for the fourth edition of street art festival Pow! Wow! Hawaii. Now, they’ve hopped 5,000 miles across the Pacific for the first ever Pow! Wow! Taiwan.
Shawn Huckins combines Internet culture and 18th- and 19th- century style portraits in his work. He offers a new collection of large acrylic paintings in "Athenaeum (I Can’t Pretend That This Is Poetry," an upcoming show at Seattle's Foster/White Gallery. The artist was featured in Hi-Fructose Vol. 32, and he was last featured on HiFructose.com here.
While the collective mindset at some street art festivals seems to be "go big or go home," at NuArt Festival in Stavanger, Norway, the line-up of artists seemed more concerned with creating deliberately-placed works with an underlying political punch. That's not to say that a few mammoth pieces weren't painted. Polish duo Etam Cru (who are featured in our current issue, Hi-Fructose Vol. 32), true to their form, left behind a storybook-like mural that added color to the overcast landscape. The piece pictured a sleeping boy tucked into his bed with a can of spray paint sticking out from under the covers — a young artist in the making.
The brutal paintings of Cleon Peterson (covered here) have a visceral effect on the viewer, plunging them deeply into a world of chaos, ruin and violence. On August 29th, Peterson brings his iconic style to Detroit's Library Street Collective for his latest exhibition, "Poison." "The show is about revenge, which is a current of poison running through our culture and other cultures around the world." Peterson shares. "It's often a motivation for war and a justification for punishment. It is a social impulse that is destructive and easy to be complicit in." Peterson is deliberate in his unflinching presentation of the darker side of human nature. In this world, muscle-headed brutes cross swords and knives, locked in a cycle of aggression.
Josh Keyes further pushes his signature "eco-surrealism" with a new collection of acrylic paintings under the title "Implosion." The new show at Thinkspace Gallery takes us to a post-human time, a bleak reality in which the natural world goes on despite the chaos we wreaked upon it. In this world, human artifacts and even animals are adorned with graffiti, our final communication with a planet we put in peril.
Natalia Arbelaez’s figures, often built with clay, carry both humor and sadness in their strange forms. Her white ceramic sculptures, in particular, offer texture and personality that feel at once human and something subterranean. The Miami-born Colombian-American artist has excited her pieces across the U.S.
Paris-based duo MonkeyBird is known for enormous stencil work on walls across the globe. Their anthropomorphic figures, often rendered as black-and-white line drawings, are set against gorgeously rendered architecture and Nouveau designs. Recent work has always taken the pair’s work inside spaces.
With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings. In the show, viewers find an artist who influenced a generation and a transformative moment in his practice upon moving to Brazil. Green was most recently featured in Hi-Fructose's print magazine with Volume 35.