by Andy SmithPosted on

Colorado-born artist David Rice creates stirring acrylic paintings that blend the figurative, abstraction, and notes from nature. His recent work “pushes the limits and boundaries of the physical world through his imagery,” a statement says. Rice was last mentioned on here.

by Margot BuermannPosted on

Chromagrain, the latest exhibition from Svper Ordinary Gallery in Denver, brings together the stunning art of Blaine Fontana (featured in Hi-Fructose Vol. 36) and David Rice (last covered on our blog here). The new works are currently on view through the end of September. View more images from the exhibition here.

by CaroPosted on

David Rice fuses the natural and the man-made in his paintings, representing the possibility of a peaceful balance between the two. Featured here on our blog, and in our current issue of Hi-Fructose Vol. 39, his wildlife-filled works address themes like cohabitation, where people and animals are combined to create hybrid beings, often wrapped in colorful textiles. The Portland based painter is about to debut a new series, entitled “High Alpine”, his largest body of work to date.

by CaroPosted on

Growing up in rural Colorado, Oregon based artist David Rice forged a special connection with his environment, which he develops in his colorful illustrations. His works focus on themes of nature through figurative portrayals of animals. Rice forges a link between the natural world and what is man-made in his current exhibit, “Two Creeks” at Antler Gallery, which is showing alongside Syd Bee’s “In My Bones”. In a new series of nine acrylic on wood panel paintings, Rice portrays wild animals with unnatural elements. A recurring element is fabric, which appears as clothing fashioned as cloaks that the animals wear, draped over their backs like blankets, or in more subtle forms.

by Hi-Fructose StaffPosted on

Our 39th volume of Hi-Fructose New Contemporary Art Magazine arrives in stores April 1st. You can also reserve a copy by pre-ordering direct from us here! Featured in this issue is: “Very Strange Days, Indeed”, a cover feature with fantastic painter Jenny Morgan, the bright and quiet narratives of painter Andrew Brandou, the painfully dark work of master painter Odd Nerdrum, the playful world of artist Tripper Dungan, R.S. Connett‘s highly detailed “micro verse”, fantastic water color paintings by Dima Rebus, and the powerful tiny street installations of sculptor Isaac Cordal. Plus major features on sculptor Scott Hove inside his teeth-gnashing Cakeland, and Portland painter David Rice‘s wildlife-filled work. Plus a review of Joan Cornellà‘s insanely demented Mox Nox book. This issue also includes a special 16-page preview of the Turn the Page: The First Ten Years of Hi-Fructose exhibition at the Virginia MOCA.

by CaroPosted on

35,000 years ago, man picked up some bones and charcoal off the ground and drew his first cave painting- only instead of painting a picture of himself, he painted animals. He watched the herds cross the plains and thought they were beautiful and magical, and retained this image in his mind and translated them on the cave walls with graceful and accurate curves. A new group exhibition titled “Animalia” at Abend Gallery in Colorado will showcase contemporary artists whose work has been influenced by animals, and takes a look at how we relate to them today.