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Illustrator-turned-fine artist Janice Sung’s figures seem at home amidst natural settings, whether in a lily pad pond or a garden, floating like a near-translucent milk specters. Her recent gallery showing at Gallery Nucleus in Los Angeles, the first using physical media by the artist. We asked the artist a few questions about her new body of work and about transitioning from digital to physical media. Click the above already and read the hifructose.com exclusive interview.
Adam Parker Smith takes famed—perhaps infamous—sculptures from Greco-Roman antiquity and squishes them. It’s in their squashing that new meanings, and new questions, rise to the surface. Read Michelle Robertson's full article by clicking the above image.
Houston-born artist Shayne Murphy blends realism and the abstract, with his oil paintings featuring explosions of graphite. Using sharpened backdrops and geometric flourishes, the artist tilts perspectives and toys further with reality. Murphy currently has a solo show titled “Fluorescent Gray” at Anya Tish Gallery in Houston, which runs through Nov. 12.
With a mix of dark humor and an impressive skill at creating inviting, yet dangerous worlds, the artist known as Bub has caught our eye. Click above to read our new interview with the artist and his new body of work, before it's too late.
There's a lot in Sandberg's tool box. He has worked with acrylic and oil, etching and photoengraving. Frequently, he plays with characters that blur the line between human and monster. Their bodies are shaped like ours. Their clothes are like ours, but their covered in hair. Sometimes, they take on the appearance of werewolves with animal-like fur. Other times, the hair spirals off their faces and bodies like think pieces of clumps of brightly colored yarn or long, rolled strands of Play-Doh. Read Liz Ohanesian's full article on the artist by clicking above.
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
Femke Hiemstra’s acrylic paintings carry a whimsical, absorbing quality no matter the canvas. A new collection, "Sonntag Spaßtag,” offers works on books, panels, and other objects at Jaski Art Gallery in Amsterdam. It’s been a decade since the Dutch artist has shown in Holland. She was last mentioned on HiFructose.com here.
In Aryz's recent, enormous murals, the painter is able to emulate the loose traits of a pencil or crayon sketch. The effect is deceptively simple, with the artist's broad strokes and figurative decisions creating a kinetic and striking final product. The artist was previously featured here, showcasing a style that varies from his current approach.
Based in Japan’s western countryside, Ozabu merges reality and fantasy with impeccably precise and highly detailed narrative drawings. Read Liz Ohanesian's full article on the artist by clicking above.
Building a wunderkammer is a surrealist exercise, in a way,” Paris-based Amandine Urruty explains of the cabinet of curiosities motif that appears in her work. “I tend to gather objects I like, ‘90's toys, luxury vases, miniature chairs and a bunch of skulls. The cabinet of curiosity is a decor, and each case of it is a decor inside the decor, where small characters play small sketches.” Read Liz ohanesian's full article on the artist by clicking above.
Madsen’s narrative, semi-autobiographic paintings frequently position young adults inside spaces made for children. Their bodies might be awkwardly crammed inside toy cars or between narrow school bus seats. Other times, Madsen places the characters in the midst of situations associated with childhood and adolescence, tapping into the complicated mix of emotions that come with memory. Read Liz Ohanesian's full article by clicking above.
Jess Johnson’s universe is filled with intricate, near-hypnotizing patterns, bold colors, an array of symbols that recall ancient rituals, and a narrative that unfolds like a modern space fantasy saga.Read the full article by clicking above!
The drawings of Laurie Lipton have bewildered and enchanted audiences for several decades. Each piece wields a cacophony of influences and experiences in dreamlike visions. Read Andy Smith's full article by clicking above.
Growing up in rural Colorado, Oregon based artist David Rice forged a special connection with his environment, which he develops in his colorful illustrations. His works focus on themes of nature through figurative portrayals of animals. Rice forges a link between the natural world and what is man-made in his current exhibit, "Two Creeks" at Antler Gallery, which is showing alongside Syd Bee's "In My Bones". In a new series of nine acrylic on wood panel paintings, Rice portrays wild animals with unnatural elements. A recurring element is fabric, which appears as clothing fashioned as cloaks that the animals wear, draped over their backs like blankets, or in more subtle forms.
Portland based artist Eric Wert, first featured in Hi-Fructose Vol. 32, is known for his larger than life and visually intense still life paintings of plants and food. Though his style is hyper-realistic, there is something about his portrayal of the vibrancy and ripeness of his subjects that makes them more appealing than life. Wert makes every day florals and foods like grapes and tomato look beautiful and evocative with a certain wildness. He has said, "I want to create an image that one can be lost within. To me, still-life painting is about looking intensely. It's about intimately exploring a subject." For his current exhibition at William Baczek Fine Arts in Massachusetts, Wert created a smaller series featuring hydrangea, lilies, pansy, iris, and figs in luscious, glistening still lifes.

Jessica Stoller's porcelain sculptures both examine art-historical notions of the material and how the female body has been depicted. Her current show at PPOW Gallery in New York City, titled “Spread,” offers new pieces from the artist. The show runs through Feb. 15 at the space.

Hi-Fructose issue 73 is coming soon! Get a sneak peek of it by clicking the above image, thereby making your life complete.
Ever want to sleep at a museum? Neither did we, until we went to 21c. We recently stayed at the 21c Art Museum Hotel in St.Louis as well as the 21c in Bentonville, Arkansas and had the best time. 21c locations combine actual contemporary art museum gallery exhibitions which are free and open to the general public. Read our hifructos.ecom exclusive interview with 21c's curator Alice Gray Stites by clicking above.
Brett Douglas Hunter is a “do-it-yourself guy.” In fact, he admits to missing this interview because he was working on his car. “I can’t stand to take it anywhere to get fixed,” he says. “I’ll fix it myself.” Read Liz Ohanesian's full article on the artist by clicking above!
In Ghana, while the cinematic menu was delightfully omnivorous, there were not nearly enough screens to satisfy the locals. This was particularly true in rural areas where only the occasional informational film had been brought by the colonial government on a green-and-yellow Bedford bus. The arrival of video changed everything. Read Silke Tudor's article on the evolution of the hand-painted movie posters in Ghana by clicking above.
Though represented in a signature mounted or freestanding taxidermy style, Fosik’s work is less about the animal in the form and more about the culture it represents. Inside these colorful, twisted, anthropomorphic creatures is a hint of humanity, a tug at the heartstrings of our own realities. Click Above to read Natasha Van Duser's full article on the artist.
rom the elbowing to the knee-shoving, there’s no denying that the full-contact, female-dominated sport of roller derby is a badass one. And so are the women who play it. Their ability to take a hard hit and get back up again is the epitome of girl power—and has inspired Finnish artist Riikka Hyvönen to make their unapologetically bruised butts the stars of her artworks.. Read Caro's full article on the artist by clicking above!
The hues in Cowan's work are distinct, matched and paired among disparate findings from various locales. Read Andy Smith's full article on this unique glass artist by clicking above...
Once scheduled to be on view at the Smithsonian's National Portrait gallery, Amy Sherald's American Sublime is now on view at the Baltimore Museum of Art after the artist pulled the exhibit, asserting that she could not 'comply with a culture of censorship" Read the full article on the exhibition from our recent issue, after it premiered at the SFMOMA by clicking above!

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