Menu
The New Contemporary Art Magazine
Jess Johnson’s universe is filled with intricate, near-hypnotizing patterns, bold colors, an array of symbols that recall ancient rituals, and a narrative that unfolds like a modern space fantasy saga.Read the full article by clicking above!

Kiel Johnson builds a beautiful big ass twin-lens reflex camera resembling an old Rolliflex or Minolta windup complete with strap - and it actually works as a pinhole camera. Look for Kiel in HF Vol.14 early January 2010.

Kiel Johnson's Cardboard Twin Lens Reflex Camera Time Lapse.

The elaborate distortions created by Hong Kong-based sculptor Johnson Tsang continue to evolve, with a recent showing at Giant Year Gallery of works from his “Lucid Dream” series. Tsang was last mentioned on HiFructose.com here, and he was recently featured in Hi-Fructose Vol. 46.
John Bisbee, who welds and manipulates 12-inch spikes, has always operated under one mantra: "Only nails, always different." In recent pieces, his diverse output bends the nails into an enormous snake, a tree, and more abstract forms. Not only are the subjects depicted varying wildly, but the style in which the nails comprise them: sometimes rigid and geometric, elsewhere chaotic.

Johnny "KMNDZ" Rodriguez, painting in studio for Westinhouse. Los Angeles-based artist KMNDZ is featured in Hi-Fructose Volume 7...

In his painting titled "Pleasure to Burn," he depicts a robot smoking a cigarette. The concept is borrowed and reimagined from a classic 70s anti-smoking campaign which featured a middle-aged woman who, despite losing her larynx to the addiction, smokes a cigarette through the hole in her neck reserved for her robotic voice box, then rasps, "They said nicotine wasn't addictive..."

A few weeks ago, we gave readers a small taste of the many, enormous murals that went up at We AArt Festival in Aalborg, Denmark (see our coverage of Aryz, Escif and Kenor's walls here). The festival was envisioned as a way to bring more public art to the mid-sized city and featured international artists with a penchant for large-scale work that Hi-Fructose readers will recognize. Interesni Kazki, a duo from Ukraine known for their storybook-like murals, split up and tackled two separate walls. Puerto Rican artist Alexis Diaz typically draws inspiration from the natural world for his depictions of hybridized creatures. His piece for We AArt depicts a skeletal horse encased in an armor of tree branches with an ink-like technique atypical of outdoor work. Other artists included Jaz, Liqen, Don John and Fintan Magee. Check out photos of the murals below.
While the collective mindset at some street art festivals seems to be "go big or go home," at NuArt Festival in Stavanger, Norway, the line-up of artists seemed more concerned with creating deliberately-placed works with an underlying political punch. That's not to say that a few mammoth pieces weren't painted. Polish duo Etam Cru (who are featured in our current issue, Hi-Fructose Vol. 32), true to their form, left behind a storybook-like mural that added color to the overcast landscape. The piece pictured a sleeping boy tucked into his bed with a can of spray paint sticking out from under the covers — a young artist in the making.
We've just returned from an eye opening experience at the 21c Museum hotel and the Crystal Bridges Museum of Art in Bentonville, AR. The whole town is a welcoming hub of contemporary art and nature, thoughtfully and intentionally developed into a community that incorporates exciting public art throughout the city, thanks to the curatorial efforts of Oz Art NWA. Click above to see a tour of Fragile Figures: Beings and Time.
The intimate paintings of London-based artist Emma Hopkins carry both vulnerability and absorbing detail, as rendered in oil in the artist’s visceral style. Each of the works carry a story, often directly depicting a subject Hopkins knows. “When I work with people I develop a body of work based on the individuals themselves and the ideas that come from the experience of working with them,” the artist says. The artist was last featured on HiFructose.com here.
KRK Ryden's latest solo show "Wet Bread" is now on view at Brassworks Gallery in Portland. Read an interview on the pop surrealist from our archives by clicking above!
Surrounded in her Massachusetts studio by pins, glue, and piles of brightly colored paper strips, a visitor might initially mistake Lisa Nilsson for a reclusive arts and crafts teacher. But as her nimble hands purposefully curl the paper into shapes, and then magically weave the shapes into identifiable forms, a new impression emerges. Read the full article by clicking above!
In 1979, with the publication of The Lowbrow Art of Robt. Williams, Williams unintentionally coined a term that would come to define an art movement. But he began intentionally carving out its place in the world long before... Read the full article on Robert Williams by clicking above.
With a two-headed, dozen-eyed Mona Lisa, a disjointed Frida Kahlo exploding like tiny little pieces of glass, and a tiny Napoleon in Egypt sitting on a gargantuan, long-limbed horse, collage artist and illustrator Lola Dupre proves that there’s art to be done after art is… well… done. Click above to read the full article by Liana Aghajanian.
Wayne White’s pictures start with thrift store paintings... White seizes on a startup surface that was a middle class decorator staple in the ‘50s and ‘60s.. read Mat Gleason's article on the artist by clicking above!
Yuko Shimizu is a New York-based illustrator, whose bold manga lines depict intimate narrative scenes from myth, science fiction, and pop iconography, creating a visual genre all her own. Read the full article by Harrison Cook clicking above!
Murray Bowles was, by all accounts, the very best kind of artist. For more than forty years, he was in regular attendance at punk shows billing up-and-coming bands in ramshackle and makeshift venues throughout Northern California (particularly in the East Bay). Read Jessica Tagami's full article by clicking above.
Hi-Fructose 76 is Coming. Click Above to see sneak peeks from the next print issue.
Upon first glance, Kent Williams’ subjects are all part of the same narratives, yet upon closer inspection perhaps that’s not the case at all. Read Ken Harman's full article on Kent Williams by clicking above.
The world of multi-disciplinary artist Floria Sigismondi is a surrealist dystopia. The Italian born, Canadian raised photographer and filmmaker has created a dark paradise born of a potent blend of decadent decay, dark theatrics, high fashion, seedy environments, and a subverting look at what constitutes the nature of beauty. Read the full interview by Kirsten Anderson with Floria Sigismondi by clicking above.
Anna Weyant’s work appears to have more in common with film than painting. Liz Ohanesian delves into the rising art star's latest work. Click above to read it, k?
Talk with Jean-Pierre Roy for long enough and you begin to get the sense that, with the right amount of imaginative discernment, the boundaries between what many perceive to be high and low art are frequently not boundaries at all, but rather intricate, furtive passageways. Read the full article with the artist by clicking above...
With their color palettes like rare, tropical birds, Erik Jones’ paintings present beauty as it might exist in a vacuum. Or at least that’s the illusion. Read the entire article by Nastia Voynovskaya by clicking above...
If you’re not ready for it, the work of Cleon Peterson can feel like a slap in the face. Brutality and violence are revealed on every canvas—whether it’s a 150-foot long wall under an overpass or a 36-inch painting hung in perfectly lit gallery. Power, strength, and cruelty are the only currency in this dystopian world. The weak are strung up, bled out, decapitated, maimed, humiliated, raped, and ruined. Viscera pours from bodies and pools in the gutter. There is no hope... Read the full article by Silke Tudor by clicking above.
Whether portraying people of the past or present, of great fame or total anonymity, Bisa Butler brings the viewer face to face with images of dignity and grace. Read Clayton Schuster's article on the artist by clicking above.
For Darel Carey, it all begins with the line. From that most elemental figure, a work of art eventually blossoms. “Every single line I place is based off where the last line was, which is based off the line before it, which is based off the line before that."... Read the full article by Michelle Robertson by clicking above.
Rick Baker originally wanted to be a doctor, but this “monster kid” turned industry icon has always had a personal interest in painting. And now, the retired special effect master gets his chance to delve into the monstrous world he loves to inhabit, one on one. We had a chance to discuss Baker’s first solo show at Copro Gallery in Santa Monica and tried our very least to have him pay for a few therapy bills. Click above to read the interview!

Subscribe to the Hi-Fructose Mailing List