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The New Contemporary Art Magazine

The 78th Volume of Hi-Fructose is here.

The 78th Issue of Hi-Fructose includes a cover a feature on Nieves Gonzalez, the art of Grip Face, The landscapes of Jennifer Nehrbass, the soft sculptures of Ela Fidalgo, the stitched urban landscapes of Laura Ortiz Vega, the art Jeffrey Gibson, Yu Jin Young’s once transparent figures, and the paintings of Fatima De Juan.  Plus a Special Insert Section focused on the drawings of Davor Vrankic & more! 
 
Articles
Since 2005

The New
Contemporary
Art Magazine

Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.

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If we are but a speck in the endless swirling cosmos, here’s hoping when we zoom the f out that we’re all part of something that resembles a Alessandro Keegan painting. @alessandro_keegan

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After visiting the Chinese village where generations of his family had lived, sculptor Warren King decided on an ambitious, new body of work: One individual at a time, he would recreate the residents of his grandparents’ community using just cardboard and glue. The life-sized figures help the artist connect with his cultural and ancestral heritages, each its own emotion and moment in time. The backs of the figures are exposed, allowing the viewer to see their interworkings and hinting at the unfinished nature of history.  The artist (previously featured on Hi-Fructose) 
Has a new documentary on the excellent 
@pbsamericanmasters  series on PBS.
Video by them.  A full doc. On PBS.
Warren King:  @wrnking
(Thanks to Tom Hall for the heads up)

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Let’s take a visit to the studio of painter Miquel Escobar.  Human artifacts and animals fill the subdued oil paintings of Miguel Escobar. And though many works appear without actual people, the artist is often exploring humanity through these desolate, beast-filled scenes.  “In my paintings I try to make images with concentration of reality but not the reality itself, with magic, memory, beauty and representing the human condition through symbolic elements and letting the viewer complete his own history by his experiences knowledge of art and history,” the artist says.- Andy Smith for Hi-Fructose

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Awesome cake doesn’t need you to like it to be awesome cake! Go Monster cake! Ceramic sculpture by Eri Maeda.
@erimaeda.art 
Unsold Christmas Cake 🍰
In Japan, that’s what they called unmarried women. Past the date, nobody wants it.
Cake Monster is here to chew through that.  Cake Monster
2026
Ceramic

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