The 76th Volume of Hi-Fructose is here.
The New
Contemporary
Art Magazine
Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.
Human glitch collage experiments with Mayan Sophia Weisstub. @weisstub
Korei Sandor’s works investigate themes of isolation and humanity’s relationship with nature; utilizing opaque barriers and stark scenarios. @koreisandor
The 77th Issue of Hi-Fructose is coming! It features a cover and special insert section on Aron Wiesenfeld, the dark drawings of Denys Kulikov, the paintings of Rae Sheridan, the embroidery of Nengiren, the foreboding world of Candice Tripp, the quilted sculptures of Melissa Monroe, Lorenzo Tonda’s modern surrealism, Otani Workshop’s enigmatic sculptures, the expressive figurative paintings of Riikka Sormunen, Spookywoods, Santacon?, and more.
Edited and published by artists Annie Owens and Attaboy.
Forrests are peculiar settings. They can be places of mystery, solace; relaxing getaways where humans find peace. It’s also where the unexplained happens or hides. It’s also a pretty decent place to bury a body, while woodland creatures chirp and flutter and unexplained phenomena do their thing.
So prepare to lose yourself in Brassworks Gallery’s Forrest Myth group showing, now on view (at the risk of being lost forever).
@brassworksgallery
Ceramicist Etty Anderson recreates ordinary objects in clay. Ironically, their grayish pall makes them stand out in this festering colorful world.
@e_tt_yyy
Stefan Vidal creates simple quiet works that resonate, depending on your mood.
@visanstefan
Though her collages are intricate and detailed, her tools are simple: Lola Dupre uses paper, scissors, glue, and a steady, experienced hand to create the stunning work on rigid wood panels, a far cry from the more popular digital manipulation in an era of Photoshop. As one of the earliest existing art forms, the collage, ( meaning “to stick” in French) process has remained more or less the same from its inception eons ago—tenth-century Japanese artists added collage work to scrolls, Pablo Picasso and Georges Barque work in cemented collage as an art form and the famed collage work of artists like Kurt Schwitters to Cecil Touchon, founder of the International Museum of Collage, Assemblage and Construction expanded the genre even further.
Unlike the typical collage wok of combining different images together, however, Dupre concentrates on breathing new life in to just one image through the reconstruction process, retaining glimpses of the images original form and subject despite its distortion….
Read the full article on the work of @loladupre
By Lainya Magana, now on Hi-Fructose.
In case you need a moment.
Frame by frame animation by Nida.
@chubbynida
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Music @thebrokenfox.mp3
