The 76th Volume of Hi-Fructose is here.
The New
Contemporary
Art Magazine
Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.
Incorporating a mix of objects—everything from old toys to dead bugs to simple paper constructions—Chamberlain builds unusual scenarios that he then depicts in impeccably detailed drawings. “All my work is logical in the sense that everything is there,” says the British artist, who rarely adds anything to a drawing that is not part of the scene that he composed. “Everything works physically in a logical sense, but I hope that it has an air of being unreal or not logical.”
His images are like eerie dreams set in locations that are as familiar as they are foreign. “I guess it gets us to question the world we live in by seeing another world which is slightly alien to that,” he says. “It reflects the world but, at the same time, it’s slightly unreal or slightly illogical. It’s neither here nor there.”
Read the full article on @lewischamberlainart by Liz Ohanesian, now on Hi-Fructose.
Each densely-detailed painting by Asad Faulwell is a colorful adventure story for the eye balls in our skulls. @asadfaulwell
“Premonition”
60”x48”
2024
8-Bit “embroidery” by spray can mural—izing with MishaMack, who is inspired by the folk art of his hometown of Siberia. @mishamack
Edward Telleria’s series, Miradas, stems from the impulse to explore the gaze as both language and symbol, in a world where images are constantly fragmented, repeated, and reconstructed.
In each painting, created with acrylic on canvas, eyes become living forms that transcend the purely figurative: they are spaces of memory, desire, and consciousness. Telleria’s work seeks to reveal the tension between what is seen and what is hidden, between presence and absence.
Each painting invites the viewer to take an active role, to confront their own gaze within a network of eyes that challenge them.
@edwardtelleria
Sweet dreams 💤
Sculpture by Jessica Harrison.
@jessicaharrisonstudio
Courtney
2025
18.5 x 7 x 6.5cm
Found ceramic, epoxy resin, enamel paint, acrylic varnish
Take a sledgehammer of ketamine directly to your central nervous system and when you are burrowed so deep in the k-hole, you will see time and space start to bend… bend… almost break. Until there is a pinpoint of light off in the distance and a clawed hand reaches for you. Remember how you got there. Because when you are back and the light reflects off everything with an acid gleam you will want to return. You will want to find a way back to the sideways world, the dirty world, the alien world of Tetsunori Tawaraya.
Tawaraya is an artist and illustrator based out of Tokyo. He creates alternate realities full of grime and electric landscapes and creatures that are like what you see around you right now; they’re just soaked in radiation, beset by mutations, and on the verge of collapse. But, to be honest, the apocalypse never looked so dang fun.
Read Clayton Schuster’s full article on @tetsunoritawaraya now on Hi-Fructose .
When something appears in the corner of your eye, just out of reach…
This watercolor painting by Benz & Chang is on view at @coprogallery in Santa Monica.
“Sarcophagus, 1935”
Watercolor, vintage frame
By @benzandchang
