The 68th Volume of Hi-Fructose is here.
Hi-Fructose issue 68 features a selection of the best in New Contemporary Art from around the world with a cover feature on James Jean, a special 16 page insert on the art of Kiko Capile, the paintings of Colleen Barry, Shohei Ochiai, the soft sculptures of Sally Hewett, the lush paintings of Tuesday Riddell, Yuria Okamura’s elegantly hand -painted compositions, cinematic locations reimagined by Boryana Ilieva, French illustrator and artist Jean Jullien, Amandine Urruty’s dark menageries, plus the brutal preschool sculptures of Andy Sahlstrom.

- November 7, 2023
- October 28, 2023
The New
Contemporary
Art Magazine
Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.
Rob Strati breaks plates, then fills in the narrative with ink, incorporating the fragmented pieces into a new scenario.
@robstrati
#breakingPlates #fun #seagullsareevil #hifructose #art

Rob Strati breaks plates, then fills in the narrative with ink, incorporating the fragmented pieces into a new scenario.
@robstrati
#breakingPlates #fun #seagullsareevil #hifructose #art ...
Who would have thought that the Getty Museum would explore depictions of menstruation in medieval times/art?
Their account is worth at least a monthly visit.
Via @gettymuseum
How did people in medieval Europe handle their periods? Great question.
Medievalist Larisa explains it all. What other medieval topics should we explore? Tell us in the comments.
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Drops of blood, representing the wounds of Christ, about 1480–about 1525, Unknown. The British Library Ms. Egerton 1821, fol. 1v.
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The Birth of the Virgin, about 1410, Pseudo-Jacquemart de Hesdin. Getty Museum.
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Diagram of a Uterus, about 1292, Unknown. Bodleian Library.
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Adam and Eve Eating the Forbidden Fruit (detail), early 1460s, Willem Vrelant. Getty Museum.
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Historiated initial “U” with bloodletting, about 1265-70, Unknown. The British Library Ms. Sloane 2435, fol. 11v.
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An Angel Holding a Cloth with Christ’s Bleeding Wound (detail), early 1460s, Willem Vrelant. Getty Museum.
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Old English herbal, early 11th century, Unknown. The British Library, Cotton MS Vitellius C III, fol. 72r.

Who would have thought that the Getty Museum would explore depictions of menstruation in medieval times/art?
Their account is worth at least a monthly visit.
Via @gettymuseum
How did people in medieval Europe handle their periods? Great question.
Medievalist Larisa explains it all. What other medieval topics should we explore? Tell us in the comments.
__
Drops of blood, representing the wounds of Christ, about 1480–about 1525, Unknown. The British Library Ms. Egerton 1821, fol. 1v.
.
The Birth of the Virgin, about 1410, Pseudo-Jacquemart de Hesdin. Getty Museum.
.
Diagram of a Uterus, about 1292, Unknown. Bodleian Library.
.
Adam and Eve Eating the Forbidden Fruit (detail), early 1460s, Willem Vrelant. Getty Museum.
.
Historiated initial “U” with bloodletting, about 1265-70, Unknown. The British Library Ms. Sloane 2435, fol. 11v.
.
An Angel Holding a Cloth with Christ’s Bleeding Wound (detail), early 1460s, Willem Vrelant. Getty Museum.
.
Old English herbal, early 11th century, Unknown. The British Library, Cotton MS Vitellius C III, fol. 72r. ...
There are fashion shows and then there is World of Wearable Art, a celebration of innovative “oh! Couture”. Each year, they cast a world-wide net to find the most inventive and fun-filled apparel/costume/human sculptures that they can find.
This first wearable in this set, for example, is a statement about the wasteful land -fill bound near-disposable retail fashion industry.
From the over-the-top, to the kinetic to the most outlandish, abstract and dazzling spectacle, all have a home at this unique theatrical event. And the best part, it’s open to everyone.
If you or someone you know takes things to a whole other level, check them out @worldofwearableart
First slide: Credit:
Waste Mountain, Jessie Curry, London College of Fashion, United Kingdom
@j.voncurry
Second slide:
Hope, Oliver Cain, New Zealand
@olivercainartist
Third Slide:
Hidden Layers, Anna Weszelovszky, Hungary
@annaweszelovszky_costume
The Golden Chakra, Akhilesh Gupta & Dimple Gandhi, India @akhilesh_gupta
Sea Urchin Explosion, Jack Irving, United Kingdom @jackirvingstudio
Madame Paon Doré, Veritée Hill, United States
@veriteehill
Neoru, Jayati Saraf, Pearl Academy, India
@jayatisulochana
Fourth Slide: Iranian designer Fatemeh Delkha
@fatemehdelkhah
#fashion #newcontemporaryfashion

There are fashion shows and then there is World of Wearable Art, a celebration of innovative “oh! Couture”. Each year, they cast a world-wide net to find the most inventive and fun-filled apparel/costume/human sculptures that they can find.
This first wearable in this set, for example, is a statement about the wasteful land -fill bound near-disposable retail fashion industry.
From the over-the-top, to the kinetic to the most outlandish, abstract and dazzling spectacle, all have a home at this unique theatrical event. And the best part, it’s open to everyone.
If you or someone you know takes things to a whole other level, check them out @worldofwearableart
First slide: Credit:
Waste Mountain, Jessie Curry, London College of Fashion, United Kingdom
@j.voncurry
Second slide:
Hope, Oliver Cain, New Zealand
@olivercainartist
Third Slide:
Hidden Layers, Anna Weszelovszky, Hungary
@annaweszelovszky_costume
The Golden Chakra, Akhilesh Gupta & Dimple Gandhi, India @akhilesh_gupta
Sea Urchin Explosion, Jack Irving, United Kingdom @jackirvingstudio
Madame Paon Doré, Veritée Hill, United States
@veriteehill
Neoru, Jayati Saraf, Pearl Academy, India
@jayatisulochana
Fourth Slide: Iranian designer Fatemeh Delkha
@fatemehdelkhah
#fashion #newcontemporaryfashion ...
We’d just like to take a second to thank all our subscribers, readers, writers, featured artists, collaborators, advertisers and supporters.
Without you there would be no Hi-Fructose.
Happy Canberry Day.-
HF
By the awesome
@anthonyvincentofficial
🦃 #thanksgiving #grateful #positiveaffirmations #metalhead

We’d just like to take a second to thank all our subscribers, readers, writers, featured artists, collaborators, advertisers and supporters.
Without you there would be no Hi-Fructose.
Happy Canberry Day.-
HF
By the awesome
@anthonyvincentofficial
🦃 #thanksgiving #grateful #positiveaffirmations #metalhead ...