The 74th Volume of Hi-Fructose is here.
This issue features a plethora of issue exclusive articles, printed on fine art papers, HF 74 features a cover feature on Younguk Yi, Barry McGee’s Cherry Pit, the textile art of Kendall Ross, the moody urban scapes of Jiaqi Shen, Leo Park, Jay Howell, Matthew Palladino’s ghost-like water colors, Wally Dion’s sewn flags and tapestries, Jeremy Geddes, 16 page Special Insert Section on the work Vorja Sanchez, plus a review of the new documentary on Redd Kross!
The New
Contemporary
Art Magazine
Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.
Can’t sleep.. maybe the calmingly chaotic drawings of Austin Joseph Gregory will help…
….
…
Nope. :)
@austinjosephgregory
.
Can’t sleep.. maybe the calmingly chaotic drawings of Austin Joseph Gregory will help…
….
…
Nope. :)
@austinjosephgregory
.
Colorful death stare..
Optical illusion from Leandro Cinico
@leandrocinico
Each of our issues includes a smaller book right in the center. This one, which was included in HI-Fructose vol.52, is printed on sketchbook paper and features the art of Nathan Reidt.
@nathanreidt
Each of our issues includes a smaller book right in the center. This one, which was included in HI-Fructose vol.52, is printed on sketchbook paper and features the art of Nathan Reidt.
@nathanreidt
“These works offer viewers a conceptual look into expanding the blurred marriage between advertising and pop culture,” a statement reads. “Artfucker explains, ‘These packs do not have a shock value because we have been desensitized by how intense marketing has become towards consumers.’ Using a combination of pop culture references, recognizable brands and religion; Artfucker says that ‘the intent of these concepts is to be so on brand, they could easily mistaken for vintage mass-produced commercial cigarettes.’” More at @artfucker
“These works offer viewers a conceptual look into expanding the blurred marriage between advertising and pop culture,” a statement reads. “Artfucker explains, ‘These packs do not have a shock value because we have been desensitized by how intense marketing has become towards consumers.’ Using a combination of pop culture references, recognizable brands and religion; Artfucker says that ‘the intent of these concepts is to be so on brand, they could easily mistaken for vintage mass-produced commercial cigarettes.’” More at @artfucker
The always interesting Evie Hatch investigates the age old wound/vulva/sauron? Symbologies found in art history.
”This is a huge subject and I’m only just glossing over it here really, but Christ’s gender-fluidity and the idea that an image could be both devotional and erotic is so interesting to me.”
@evie_hatch
See:
Sexon, Sophie. “Gender-Querying Christ’s Wounds: A Non-Binary Interpretation of Christ’s Body in Late Medieval Imagery.” Trans and Genderqueer Subjects in Medieval Hagiography, Eds. Spencer-Hall, Alicia, et al. Amsterdam University Press, 2021.
Easton, Martha. “The Wound of Christ, the Mouth of Hell: Appropriations and Inversions of Female Anatomy in the Later Middle Ages.” Tributes to Jonathan J.G. Alexander: The Making and Meaning of Illuminated Medieval and Renaissance Manuscripts, Art and Architecture, Eds. Susan L’Engle and Gerald B. Guest, 2006.
The always interesting Evie Hatch investigates the age old wound/vulva/sauron? Symbologies found in art history.
”This is a huge subject and I’m only just glossing over it here really, but Christ’s gender-fluidity and the idea that an image could be both devotional and erotic is so interesting to me.”
@evie_hatch
See:
Sexon, Sophie. “Gender-Querying Christ’s Wounds: A Non-Binary Interpretation of Christ’s Body in Late Medieval Imagery.” Trans and Genderqueer Subjects in Medieval Hagiography, Eds. Spencer-Hall, Alicia, et al. Amsterdam University Press, 2021.
Easton, Martha. “The Wound of Christ, the Mouth of Hell: Appropriations and Inversions of Female Anatomy in the Later Middle Ages.” Tributes to Jonathan J.G. Alexander: The Making and Meaning of Illuminated Medieval and Renaissance Manuscripts, Art and Architecture, Eds. Susan L’Engle and Gerald B. Guest, 2006.
Ink on canvas in progress by Margritt
@maargriitt
Maxi Futur/amas
INK on Canvas
Format : 2.10 x 4.30 m
Ink on canvas in progress by Margritt
@maargriitt
Maxi Futur/amas
INK on Canvas
Format : 2.10 x 4.30 m
The house of Doro demonstrates how bright colors can be calming.
@doro_juni
Our friends at @office.of.collecting are taking their world of tiny treasures (hidden in hundreds of nondescript drawers) on the road via a converted trailer.
We highly recommend saying hello to them as they venture up the west coast!
Our friends at @office.of.collecting are taking their world of tiny treasures (hidden in hundreds of nondescript drawers) on the road via a converted trailer.
We highly recommend saying hello to them as they venture up the west coast!
