Hi-Fructose 79 is Coming!
The 79th Issue of Hi-Fructose includes a cover a feature on sculptor Willy Verginer, the black and white world of Murayama Tomoaki, the graphic art of Jimi Biscuits, Harriet Mena Hill’s painted rubble, the art of Pabaja, Plus a Special Insert Section featuring the art of Marigold Santos, surrealist painter Philip Bosmans, the universal art of Filipino artist Blic, the uniformly absurd painting of Ian Davis, Casino Carpets, and more!
Meta
Topics
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In some ways, Di Piazza’s work is influenced by his own environment. Although he was born in Syracuse, Sicily, Di Piazza was raised and continues to reside in Palermo. He describes the ancient city as a “melting pot,”... Read the full article by clicking above!
“I was never interested in art. I never got into it,” says Daniel Martin Diaz on a recent phone call with Hi-Fructose. “I never looked at art books. I really, honestly, didn't even know basic things like surrealism like Dali or Escher existed until I was probably, I think, 18 or 19.” That was around the time when Diaz, the Tucson-based artist known for his precisely detailed illustrations merging seemingly disparate subjects like science and mysticism, stumbled into the art section of a library and came across 1920s surrealism. “I just knew when I saw that it just resonated with me so strongly that I just became obsessed by it.” Read the full article by Liz Ohanesian by clicking above.
Erin M. Riley, an artist out of Philadelphia, is urging you to really rethink your notion of weaving and looming by transforming it from traditional to anything but. Read Eva Glettner's interview withthe articst from our archives by clicking above.
For artist Sarah Slappey, the body is both subject and setting. It entrances and repels, can be beautiful and grotesque. Above all, it is a means of artistic exploration that defies neat categorization. Read the full article by clicking above.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.