Menu
The New Contemporary Art Magazine

The Branded Smokes of Artfucker

Artfucker’s recent body of work, displayed in the exhibition “Smoke Show,” meditates on just how accustomed viewers are to the omnipresence of marketing efforts. The New York artist’s practice is a blend of mixed-media and photography, with their identity still unknown to the public despite widely seen work.

Artfucker’s recent body of work, displayed in the exhibition “Smoke Show,” meditates on just how accustomed viewers are to the omnipresence of marketing efforts. The New York artist’s practice is a blend of mixed-media and photography, with their identity still unknown to the public despite widely seen work.

“These works offer viewers a conceptual look into expanding the blurred marriage between advertising and pop culture,” a statement reads. “Artfucker explains, ‘These packs do not have a shock value because we have been desensitized by how intense marketing has become towards consumers.’ Using a combination of pop culture references, recognizable brands and religion; Artfucker says that ‘the intent of these concepts is to be so on brand, they could easily mistaken for vintage mass-produced commercial cigarettes.’”

Find more from the show on Artfucker’s site and below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Photographing porcelain figures the moment they hit the ground, Martin Klimas injects a sense of motion and chaos into an otherwise stationary object. The artist has taken a similar approach to photographing a moment of impact with bullets zipping through vases. For the figures, Klimas says that “the porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that seems to stop/pause the time and make time visible itself.”
In his clever photographs of landscapes, Paris based photographer Guillaume Amat visually explores the meaning of continuity. His recent and ongoing series titled “Open Fields” features images of empty scenes occupied by a fixed, centered mirror to give a window into all that is missing or, perhaps, all that is present. Amat's images are striking and profound, sincere in their depictions of reality yet simultaneously contrived. One gets a sense of seeing more deeply into the moment than a typical photograph can provide.
When studying Anne Lemanski's sculptures, the artist's choice in medium becomes just as intriguing as the subject depicted. Working from her extensive personal collection, the artist uses a variety of materials - from vinyl and book pages to textiles and vintage photos - to create life-size sculptures of animals and objects. While some pieces are more open to interpretation, others not-so-subtly address the social, political and environmental issues we face in modern times.
In his first solo museum exhibition, Chuck Sperry offers an array of his pop-infused, post-modernist works. “All Access: Exploring Humanism in the Art of Chuck Sperry" opens on Sept. 14 at the Fort Wayne Museum of Art. Running alongside this exhibition is "Litmus Test: Works on Paper from the Psychedelic Era,” a survey of Wes Wilson, Victor Moscoso, and others, with blotter sheets from Sperry, Mark Mothersbaugh, H.R. Giger, and more.

Subscribe to the Hi-Fructose Mailing List