Austrian painter Peter Gric offers surreal visions of the future, with writhing biomechanical creatures and notes from ancient religious art coursing throughout his paintings. Gric’s work also includes sculpture, bringing his metallic forms to life. Though often constructed in acrylics, gold leaf, and other traditional paints, Gric’s work begins as digital sketches:
“In the early nineties Peter Gric started to discover the possibilities of computer graphics for his paintings,” a statement says. “From then on his organic-surreal visual imagery was enriched by complex architectural structures and artefacts. In place of using pencil and sketchbook he began to design his compositions with a 3D visualization software, he started to transfer the virtual reality into painting and consequently found within this fusion to his very unique and distinctive style.”
See more of Gric’s work on his site.
Philadelphia-based artist 
Italian artist 
Painter Allison Zuckerman’s work pulls from the past and digital present of art history to craft amalgamated depictions of women. She first designs her works digitally, then prints them on the canvas before applying paint to the creation. This year has brought multiple museum exhibitions for the artist, including stints at Akron Art Museum and Herziliya Museum and the University of Florida.
American artists — from the painters of the Hudson River School to the influential Andrew Wyeth — have long depicted this country’s vast landscape as simultaneously a place of lonely desolation and of awe-inspiring grandeur. Following in this tradition,