Menu
The New Contemporary Art Magazine

The Ceramic Figures of Shary Boyle

Over the past few decades, Shary Boyle has garnered attention for a multifaceted practice that includes ceramics, painting, installations, drawings, and more. In this post, we take a look at some of her recent sculptures, which toy with vintage and ancient incarnations of rendering humanity through ceramics.

Over the past few decades, Shary Boyle has garnered attention for a multifaceted practice that includes ceramics, painting, installations, drawings, and more. In this post, we take a look at some of her recent sculptures, which toy with vintage and ancient incarnations of rendering humanity through ceramics.

“She is known for her bold, fantastical explorations of the figure,” a statement says. “Highly crafted and deeply imaginative, her practice is activated through collaboration and mentorship. Boyle’s work considers the social history of ceramic figurines, animist mythologies and folk art forms to create a symbolic, feminist and politically charged language uniquely her own.”

See more of her work on her site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Whether rendered life-sized in resin and paint or smaller and 3D-printed, Nicholas Crombach’s figures explore our ties to the creatures of the natural world. The Canadian-born artist uses 3D printing as an extension of his past work and purpose, in a time when the contemporary tool is often used to create novelty items and irreverent, one-note sculptures. Services like Shapify have made the reaction of the human body a superficial process, while Crombach tackles something much older in nature.
Leah Yao’s talents in crafting miniatures have taken both bright and bleak forms, with the recent “Mini Memento Mori” representing the latter. More often than not, the artist's Instagram bio aptly describes her output: "I make clay food." The RISD student's above piece impresses in the details that add both humor and intrigue to the work.
 Last night, sculptor Daniel Arsham celebrated a return to his hometown of Miami with his installation, "Welcome to the Future" at Locust Projects. The project was successfully funded by Kickstarter and donations to create an original, site specific experience to Miami. Although an apocalyptic glimpse into our future, the piece is inspired by Arsham's past- his survival of Hurricane Andrew in the 1990s.
In the imagination of 1986, Frankenstein creatures made of sheeps' skulls, spoons and scrap metal inhabit a world populated by steel flowers and paper birds. Georgie Seccull (aka 1986) is the Melbourne-based artist behind the fantastic installations, whose gigantic scale and raw aesthetic are reminiscent of prehistoric times. Using a combination of salvaged and recycled materials, 1986 builds installations with eccentric materials like computer parts and utensils for the wings of beetles. By merging organic matter like bamboo leaves, acorns and kumquats with modern instruments used in technology and mechanics, 1986 hurls forces of the past and future together to create otherworldly beings in the present.

Subscribe to the Hi-Fructose Mailing List