Menu
The New Contemporary Art Magazine

Michael Reedy Returns to Arch Enemy Arts

With "Burn With Me" at Arch Enemy Arts, Michael Reedy offers new mixed-media works that examine themes of birth and death. Kicking off on Sept. 6, the show follows the artist's 2016 show at the Philadelphia gallery, "Dust & Moonshine." The title "Burn With Me" is inspired by a Banana Yoshimoto short story with the line, ”I bet I go to hell when I die ... ” Reedy was last mentioned on our site here.

With “Burn With Me” at Arch Enemy Arts, Michael Reedy offers new mixed-media works that examine themes of birth and death. Kicking off on Sept. 6, the show follows the artist’s 2016 show at the Philadelphia gallery, “Dust & Moonshine.” The title “Burn With Me” is inspired by a Banana Yoshimoto short story with the line, ”I bet I go to hell when I die … ” Reedy was last mentioned on our site here.

“I often find myself driven by a rather manic preoccupation with the apparent meaninglessness of it all–especially when coupled with our drive to procreate as a means by which to live beyond our own lifetime,” the artist says. “The idea of living beyond (beyond our own physical existence)–or our soul/spirit floating away, or the “spilling out” of our insides as a means to live on (and in essence escape death) fascinates me.”

See more works on Arch Enemy’s site and Michael Reedy’s own page.




Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Russian-born artist Sergei Isupov investigates binaries in human relationships — male and female, good and evil, beautiful and grotesque. Using clay as both a material for three-dimensional expression and as a canvas for his illustrations, Isupov capitalizes on all properties of what he finds to be the most open medium. He sculpts human and animal figures, and then adds illustrations in glaze. The paintings diffuse into the clay’s surface, like tattoos on his sculptures’ skin. Taken together, the two- and three-dimensional elements of his work establish a compacted but powerful scene of emotions and narratives.
You know that moment when you spot something out of the corner of your eye, and when you turn around to look at it, it's gone? That's the sensation we get from Britt Snyder's paintings. His muddled brush strokes upend our perception of what's real and what's tangible, leaving ghostly traces that seem to follow his subjects' movements. While his work appears to be based on everyday scenes, they become disorienting and alien because of his execution. Snyder is based in the Boston area and is a professor of art at the Worcester Polytechnic Institute in Worcester, Massachusetts. While he is an experienced commercial artist who has worked with many high-profile companies, his personal work is painterly and in the vein of 20th century artists like Gerhard Richter.
Kazuki Takamatsu (HF Vol. 33 cover artist) paints layers of translucent, white gouache that appear to float over his matte, black backgrounds. His hologram-like, female characters look digitized, though they're executed entirely by hand. That's because the artist turns to depth mapping software for inspiration for his images and painstakingly renders his figures as if they were parceled into pixels. For his upcoming solo show "Even a Doll Can Do It," Takamatsu presents a new series of paintings centered around ghostly depictions of nymph-like girls floating in cyberspace. The exhibition opens February 14 at Dorothy Circus Gallery in Rome and will be on view through April 4.
With “Sorayama Space Park by AMKK” at Central Embassy in Bangkok, the futuristic creations of Hajime Sorayama fill the space, including a lifesized aluminum Tyrannosaur. The immersive installation focused on the dinosaur-themed work of the celebrated illustrator, who rose to prominence in the 1980s for his “sexy robots” representing the timeless male gaze theory. The project marks the 5th anniversary of Central Embassy.

Subscribe to the Hi-Fructose Mailing List