Menu
The New Contemporary Art Magazine

Patricia Piccinini’s Sculptures Featured in Denmark Exhibition

With Patricia Piccinini’s current exhibition at Arken Museum of Modern Art in Denmark, the sculptor’s hyperrealistic creations carry a surprising intimacy. Running through Sept. 8, "A World of Love" offers figures and forms across several years from the artist. She was last featured on our website here. (Museum photographs by David Stjernholm.)

With Patricia Piccinini’s current exhibition at Arken Museum of Modern Art in Denmark, the sculptor’s hyperrealistic creations carry a surprising intimacy. Running through Sept. 8, “A World of Love” offers figures and forms across several years from the artist. She was last featured on our website here. (Museum photographs by David Stjernholm.)

“Piccinini challenges cultural norms of body and beauty: Why do we see certain features as beautiful and familiar – and others as unknown, dangerous or confusing?” the museum says. “Unlike Hollywood’s dystopian version of science fiction, where strange aliens, monsters or robots pose a dangerous threat to humankind, Piccinini celebrates everything that is ‘different’. Here we find poetry and beauty in the connected, the strange and the diverse. She invites us to meet her creatures with curiousness and openness.”

Find more on the museum’s page and the artist’s site here.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Design collective Numen/For Use was incepted in 1998 as a way for its members — industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković — to push the boundaries of architecture, design and conceptual art. They've collaborated on everything from furniture design to elaborate installations that invite the viewers to break the norms of how they ordinarily interact with space. Rarely do we see adults take off their shoes to bounce and play, but Numen invites their audiences to do just that. Their latest piece, String in Vienna is an inflatable, bounce house-like structure with an elaborate grid of cords that allow viewers (more aptly, participants) to defy gravity. Their other recent works include a levitating cave made out of clear tape in Tokyo and another inflatable structure with hammock-like netting hung strategically for optimal bouncing in Yokohama, Japan.
In Zak Ove’s sculptures, viewers find an artist using modern materials and icons to look back at centuries-old cultures. The mixed-media work moves between the futuristic and ancient in its explorations. His stated charge is to “"to reignite and reinterpret lost culture using new-world materials, whilst paying tribute to both spiritual and artistic African identity."
Franco Fasoli, also known as Jaz, is known for creating work that various wildly in scope, whether it’s his public murals or small bronze sculptures. In his gallery-friendly practice, his surreal examinations of the human condition and culture pack that humor and vibrancy in intimate doses.
Edward Walton Wilcox and Todd Carptener celebrated double openings on Saturday at Merry Karnowsky Gallery. “Sacred Intention” by Wilcox was his 6th solo exhibition with the gallery featuring his dark, hand-carved gothic style pieces starring nature’s predators. Watching over the show is his totem “Abraham Stilten in de Nederlands”, a solid sequoia tree carved entirely with a chainsaw that stands 9 feet tall. New oil on panel pieces such as “Predator” and “Candy Mountain” were created on handmade wood frames, then, placed on hand carved shelves. His presentation is just as important as the paintings themselves, often removing the subject from its 2-dimensional world entirely to extend the narrative. Figures such as a rowing Grim Reaper-esque character and hovering owls appear throughout, while circling birds overhead imply something is amiss. Read more after the jump.

Subscribe to the Hi-Fructose Mailing List