Menu
The New Contemporary Art Magazine

Christopher Langton’s Immersive ‘Colony’ Installation

In a major installation at Tolarno Galleries in Melbourne, Christopher Langton built his own immersive system of celestial bodies, robots, and organisms resembling viruses and fungi. “The hyperreal manifestation of Langton’s own recent experiences beset by life-threatening disease and infection, ‘Colony’ beckons us to consider that we are all multi-cellular symbiotic organisms, negotiating a precarious shared ecology,” the gallery says.

In a major installation at Tolarno Galleries in Melbourne, Christopher Langton built his own immersive system of celestial bodies, robots, and organisms resembling viruses and fungi. “The hyperreal manifestation of Langton’s own recent experiences beset by life-threatening disease and infection, ‘Colony’ beckons us to consider that we are all multi-cellular symbiotic organisms, negotiating a precarious shared ecology,” the gallery says.

The show runs through Sept. 21 at the space. It reportedly took the artist “assembling the works, drawing, meticulously designing, 3D printing and hand painting each of the 39 individual sculptures and two Mechanoid figures in his Melbourne studio.” This is Langton’s first solo exhibition since 2011.

See more works from the artist on the gallery’s site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Amsterdam based artist Danny Van Ryswyk has been getting a fair amount of attention here on Hi-Fructose lately, but when I recently told the editors of HF that I would be traveling to the Netherlands to visit Danny (Full disclosure: Danny is exhibiting at my gallery Roq La Rue) they took me up on my offer of turning my visit into a "studio visit" post for the blog. So, without further ado, let’s take a little closer look at Danny’s upcoming work, his studio process, and what makes his work transcend the typical 3D sculpture formula.
Hebru Brantley (featured here) is well known for his pop-infused paintings and sculptures of child-like heroes inspired by Japanese anime and graffiti. Growing up in Chicago in the midst of gang culture, Brantley has expressed that "when all else failed, I could turn to art", turning his reality into a fantasy world. He is constantly looking to create imagery that evokes emotion and tells stories, particularly of youth. Having traveled all over the world to exhibit his art, he is now making his Pittsburgh debut with "I Wish I Knew How It Felt to Be Free".
Ronit Baranga balances mischievous and playful themes in her sculptures. And in Booth Gallery's upcoming show, "Demons' Playground," new examples of this figurative work are collected. Baranga was last featured on HiFructose.com here.
In Peter Palfi's "Looney Tombs" series, the mythologies of Ancient Egyptian gods and 20th-century animation synthesize with artifacts faithful to both histories. The Hungarian artist uses bronze, wood, resin, actual mummified animals, and other materials to craft these sculptures—along with his own complete Book of the Dead. For some, it may recall Damien Hirst's "Treasures from the Wreck of the Unbelievable," though Palfi's work, in concept, wholly embraces the absurd.

Subscribe to the Hi-Fructose Mailing List