Menu
The New Contemporary Art Magazine

Michael Reeder Returns With ‘The OtheRealm’

Michael Reeder offers his largest collection of work yet in "The OtheRealm," his new show at Thinkspace Projects. Reeder toys with depth and color, finding an expanse of possibilities within repeated shapes and motifs. He accomplishes this with a blend of oils, acrylics, and spraypaint, shifting between styles, and at the gallery, given site-specific flourishes. The show runs through Aug. 24.

Michael Reeder offers his largest collection of work yet in “The OtheRealm,” his new show at Thinkspace Projects. Reeder toys with depth and color, finding an expanse of possibilities within repeated shapes and motifs. He accomplishes this with a blend of oils, acrylics, and spraypaint, shifting between styles, and at the gallery, given site-specific flourishes. The show runs through Aug. 24.

“A contemporary portraitist who uses figurative distortions and symbolic dislocations as a vehicle for the expression and examination of identity, Reeder’s controlled chaos is as evocative as it is strategically unsettling,” the gallery says. “Looking to the depiction of the figure as an exteriorization of the internal self, Reeder’s graphic and stylized works oscillate between moments of reduction and surplus. The artist’s imagery is loose enough to encourage projection and tight enough to direct association by tapping into the subconscious, and its surreal recesses, as a limitless visual resource.”

See more from Reeder here, and read more about the show on Thinkspace Projects’ website.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Ellen de Meijer’s new paintings show how contemporary norms and social mobility has come at the cost of our planet’s health. "#CO2," a show opening at UNIX Gallery on April 11, shows characters at times taking small measures to protect themselves from the elements, while the greater threat to all looms. The gallery says that in this show, viewers can find “a collection of stoic, uncomfortable characters unabashedly displaying their wealth.”
Kip Omolade's "Diovadiova Chrome" portrait series brings out the striking qualities of the human face. The artist takes inspiration from African folk art forms such as the ivory masks of Benin and the Ife bronze heads of Nigeria. He considers his work a contemporary exploration of the mask as a conduit between mankind and the spirit world. For his updated take on this timeworn subject matter, Omilade makes plaster casts of models' faces and uses them to create resin sculptures, which he coats with chrome and embellishes with fake eyelashes. The masks serve as reference material for Omolade's hyperrealist oil paintings, which pay homage to African cultural traditions in a novel way.
Wayne White’s pictures start with thrift store paintings... White seizes on a startup surface that was a middle class decorator staple in the ‘50s and ‘60s.. read Mat Gleason's article on the artist by clicking above!
Jaime Brett Treadwell's paintings gleam like the finish of a newly tricked-out low rider. The candy-colored works on panel feature prismatic geodes levitating above otherworldly mountain ranges and lagoons. Treadwell's new body of work departs from his formerly pop culture-heavy imagery. Bikini-clad characters once inhabited his intergalactic oases like an MTV Spring Break set in outer space. But for his upcoming show "Trick Magic," opening at Mirus Gallery in San Francisco on January 17, Treadwell significantly pared down his style and opted to focus on the glossy, alluring geometric forms at his work's foundation.

Subscribe to the Hi-Fructose Mailing List