Menu
The New Contemporary Art Magazine

The Cross-Dimensional Wearable Art of Leeroy New

Leeroy New's otherworldly wearable art comes from found objects and discarded plastics, with the multidisciplinary artist’s vision making vibrancy out of the overlooked. New's practice encompasses both wearable and installation art, as his major public works have turned heads in his native Philippines and beyond.

Leeroy New’s otherworldly wearable art comes from found objects and discarded plastics, with the multidisciplinary artist’s vision making vibrancy out of the overlooked. New’s practice encompasses both wearable and installation art, as his major public works have turned heads in his native Philippines and beyond.

“As a response to the issue of art and art practitioners’ (in)visibility in the Philippines, New decided early on that cultivating a language for large scale public art was the challenge he had to take on,” his site says. “Through his persistence, despite the initially limited support and resources, what resulted were immersive installations that use a variety of found objects directly sourced from the immediate material culture of his current environment.”

See more of New’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Artist Nick Cave, known for his famed “Sound Suits,” currently has taken over MASS MoCA with his massive installation “Until.” Just the numbers involved are astounding: more than 10 miles of crystals, 25 chandeliers, a crocodile, 17 cast-iron lawn jockeys, 13 gilded pigs, 16,000 wind spinners, millions of beads, and additionally, thousands of ceramics objects (animals and fruits, mostly). Yet, assembled, the piece tackles bigger questions than its contents would make viewers assume.
At the National Art Center in Tokyo, Emmanuelle Moureaux helps the spot mark its 10th anniversary with the installation "Forest of Numbers." This "symbolization of the next 10 years to come" consists of more than 60,000 suspended numbers, with a path cut through the work so that visitors can immerse themselves inside of the “forest.” The 10 layers of the piece represents a decade, with 4 digits that represent years between 2017 and 2026. Moreso, 100 shades of hues were used in the installation. It took 300 volunteers to pull off the work.

For more than a decade, Jan Vormann has used LEGOs to craft “dispatchwork” for centuries-old structures, public spaces across the globe, and other eroded areas. Within these pieces, which take hours and hours to create, he hides passageways and windows that ignite the imagination. The multi-colored blocks can sometimes have a glitch-like effect, when activating otherwise everyday spaces. These projects have appeared in Korea, various parts of the U.S., his native Berlin, and beyond.

Whether it’s a cleverly disguised speaker box or massive wall installation, Alex Yanes crafts vibrant characters and scenes out of seemingly disparate elements. The Miami-born artist says his inspiration comes from “vibrant fixtures of my environment, fatherhood, life’s circumstances, subcultures and the ability to create something out of nothing.” Often, his work is more functional than meets the eye.

Subscribe to the Hi-Fructose Mailing List