The acrylic and mixed-media paintings of Hernan Bas carry a coming-of-age quality, pulling from varying periods. His influences, among several other mediums, have a particular consideration of “the Aesthetic and Decadent writers of the 19th century, in particular Oscar Wilde, Charles Baudelaire and Joris-Karl Huysman,” a statement says. Film, poetry, and art history itself also have an impact on his contemplative works.
“His paintings are a patchwork of figuration and abstraction; they feature classical subjects like interiors, landscapes and portraits,” Lehmann Maupin says. “He experiments with various techniques and materials such as airbrush, wood block, acrylic, gold leaf and house paint. Before embarking on a new series, Bas does general, rather than in-depth, research into a subject. Furthermore, Bas feels that he doesn’t depict actual individuals or events in history but invents scenes inspired by various historical periods.”
See more of his work below.
Chinese artist 
Chris Berens brings his distinctive blend of painting and collage to Jaski Gallery in Amsterdam with the show “Feniks." Among these new works is a massive "Crowning Glory," for which the artist constructed a handmade wooden frame. (Berens was featured in the 
Travel to a time where humans prevail in all their primeval glory in Attaboy's new show at The Compound Gallery. This body of work includes the buzzed-about rock paintings on rocks, adding to the meta-nature of the new show that seems to be extracted from animation. Is this place the fate of the future or is it a temporal glimpse into our primitive past? Either way, you are sure to enjoy a silent moment with the Monocrag—or take a hike on the Triple Cragscape. Come for the humans, stay for the future. The "Future Human" sideshow will be up in the grey gallery beginning October 19, so you better get yourself a souvenir before this painted epoch ends.
Shiqing "Demo" Deng is known for both riveting and haunting paintings, in which surreal surprises hide in the contours of her figures. She recently showed this work at Parasol Projects @ 213 Bowery in a show titled "All My Friends Are Monsters." The gallery says she often uses "fellow artists as the primary players" in her work, further facilitating a look at varying realities.