Menu
The New Contemporary Art Magazine

Alessandro Gallo’s New Series ‘Most of the Time’

In sculptor Alessandro Gallo’s new body of work, “Most of the Time,” the artist evolves his ceramic human-animal characters in new situations and reflections. The series is on display in a show currently packing Abmeyer + Wood in Seattle until May 31. Gallo was last featured on HiFructose.com here and appeared in Hi-Fructose Vol. 24.

In sculptor Alessandro Gallo’s new body of work, “Most of the Time,” the artist evolves his ceramic human-animal characters in new situations and reflections. The series is on display in a show currently packing Abmeyer + Wood in Seattle until May 31. Gallo was last featured on HiFructose.com here and appeared in Hi-Fructose Vol. 24.

On the piece “Animal Kingdom” above, the artist says this: “‘Animal Kingdom’ borrows its structure, symbolism and dynamics from the game of Chess. It mirrors our daily battles, as active fighters or witnesses, to succeed, to be better, to adapt to an ever-shifting habitat and not be swallowed. Chess is essentially a symbolic war and the mix of analysis, intuition and strategy it requires offers metaphors that are constantly used in everyday conversations, even by people that know very little about it.”

See more work from the series below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Porcelain has been a highly prized material for centuries, impenetrable, tough and strong, yet it has the magical translucence found in sea shells from which it earned its namesake. These contrasting aspects of porcelain are what make it so fascinating for sculptor Katusyo Aoki, first featured in Hi-Fructose Vol. 21, who has chosen this material to express a multitude of emotions. She is perhaps best known for her intricately carved skulls that are colored in a variety of pure white and blue tones, relating them to a macabre religious object. Her recent pieces have included associations to 18th century designs, Norse folk magic, and more modern references to abstract art, as in her taller, distorted pieces that resemble tree branches or ocean waves. For her current exhibition at Jason Jacques Gallery in New York, "Dark Globe", Aoki combines her swirling designs with regal, yet dark subject matter.
The shape of a church is indefinitely sketched into the landscape in the latest project by architecture duo, Gijs Van Vaerenbergh. Comprised of Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, their series of see-through churches, "Reading Between the Lines," are not intended to be functional as shelter. They are more like sculptures that borrow design inspiration from local churches' architecture in the area. See more after the jump!
In Rebecca Morgan’s ceramics work, her surreal and humorous sensibility is at its most visceral. Her sculptural work often takes the form out of unsettling, yet enchanting heads, carrying exaggerated features and expressions.
Özge Tan’s surreal ceramic sculptures and installations offer both mystery and absorbing detail. Not much has been written about the young, Turkish artist. Yet, her work carries an enormous presence and delicate detailing. Much of Tan’s recent work has the motif of obscured faces, often enveloped by floral growths or abstractions.

Subscribe to the Hi-Fructose Mailing List