Menu
The New Contemporary Art Magazine

Anna Park’s Startling Charcoal Drawings

Anna Park’s charcoal drawings are kinetic and absorbing, each scene embedded in crowd activity. The action seems to move between revelry and violence, the faces of her subjects distorted and disappearing. The artist also integrates varying sensibilities into these works and moves between cartoonish and realistic rendering.

Anna Park’s charcoal drawings are kinetic and absorbing, each scene embedded in crowd activity. The action seems to move between revelry and violence, the faces of her subjects distorted and disappearing. The artist also integrates varying sensibilities into these works and moves between cartoonish and realistic rendering.

The artist has said that her work is partially inspired by moving around consistently during her childhood. “What I want to create in my work are these worlds in which the many versions of myself occupy,” Park told the quarterly Friend of The Artist. “The figures play as a vessel of the various forms I have manifested over the course of my life. While they exist in a certain space, I choose to obscure the faces to melt in and out of the background. This represents my notion of self identity at risk of being lost throughout the many transitions of my life.”

See more of her work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Cape Town artist Michael Amery shares his concerns about human impact on the environment in his series of drawings, Trees by Man. In charcoal, pen and India ink, the artist depicts forests grown for commercial use, much like the ones found in his native South Africa. A graphic designer with a background in advertising, Amery is interested in how consumerist culture is tied to man's exploitation of the natural world and its effects on our planet's vulnerable ecosystems.
British illustrator Sam Richwood blends both sparse and lush details into his works. In the “Galaxy Garden” series, the futurescapes and romanticism of his scenes benefit from both approaches. The artist says that he hopes his worlds are able to “suggest a place beyond the canvas.”
Cherub-like children with school girl bobs enter infernal abysses and haunted-looking forests in Akino Kondoh's drawings and paintings. The Japanese artist says she is interested in exploring the eerie feeling of deja vu that childhood memories can sometimes trigger. With their dark mood and enigmatic symbolism, her characters' surreal adventures evoke the ways our childhood fears and anxieties were once magnified in our nightmares, and perhaps still are.
Mike Lee draws neat, compact worlds populated by rotund homunculi. Simplified like Lego characters, his small protagonists navigate their urban landscape, which appears so conspicuously tidy that it resembles a toy replica more so than an actual city. Lee's drawings are small-scale; he utilizes negative space to make viewers zero in on specific scenes. We look into his minuscule world from an aerial view, like a child playing with a doll house or a deity looking down at the unsuspecting mortals on Earth. With his painstaking graphite work, Lee renders the humdrum of the day-to-day with novelty and humor.

Subscribe to the Hi-Fructose Mailing List