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Hi-Fructose Vol. 51 Preview!

Brandi Milne

It's the 51st Volume of Hi-Fructose! The spring issue features: The strange geometric paintings of Yu Maeda, the ornate head dresses of Magnhild Kennedy, collages by John Vochatzer, the powerful paintings of Sergé Gay Jr, the gravity defying art of Cintal Vidal, the elastic illustrations of Angela Ho, the dangerously dark world of Peter Ferguson, the glass sculptures of Amber Cowan, the autobiographical paintings of Stuart Pearson Wright, a review on the documentary and upcoming books of sculptor Stanislaw Szukalski, Plus a 16-page special insert section the paintings of cover artist Brandi Milne and more. HF Vol.51 arrives in April. Pre-order a copy of the issue here! Also, US residents can subscribe here, and Canadian residents can subscribe here.


Brandi Milne

It’s the 51st Volume of Hi-Fructose! The spring issue features: The strange geometric paintings of Yu Maeda, the ornate head dresses of Magnhild Kennedy, collages by John Vochatzer, the powerful paintings of Sergé Gay Jr, the gravity defying art of Cintal Vidal, the elastic illustrations of Angela Ho, the dangerously dark world of Peter Ferguson, the glass sculptures of Amber Cowan, the autobiographical paintings of Stuart Pearson Wright, a review on the documentary and upcoming books of sculptor Stanislaw Szukalski, Plus a 16-page special insert section the paintings of cover artist Brandi Milne and more. HF Vol.51 arrives in April.

Pre-order a copy of the issue here!

Also, US residents can subscribe here, and Canadian residents can subscribe here.


Angela Ho


John Vochatzer


Magnhild Kennedy


Sergé Gay Jr.


Stuart Pearson Wright


Yu Maeda


Cintal Vidal


Amber Cowan


Peter Ferguson


Stanislaw Szukalski


Brandi Milne


Brandi Milne

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On August 30th, CHG Circa will showcase some of their favorite artists in their second installment of "Art Collector Starter Kit".  The show was first created in 2013 to give emerging artists a platform to express new ideas, while creating a smaller-sized 'starter kit' of sorts for new collectors.  This year highlights new faces to Circa's walls like Yosuke Ueno (above), Yukino Fukumoto (covered here), Hikari Shimoda, who debuted last month, and So Youn Lee- paired with Circa regulars Brandi Milne, Shag, Lola, Natalia Fabia, and more.
Brandi Milne’s pop-surrealist, acrylic paintings are both sweet and strange, each a peek into the artist’s modern-day and childhood influences. A new body of work "Once Upon a Quiet Kingdom," is collected in a show at Corey Helford Gallery in Los Angeles, which kicked off on Saturday. This is her fourth solo exhibition.

In today's advertising world, it's almost impossible the avoid visual landscape of company brand names and logos. We endulge in a pop culture that is virtually paid for and made possible by "product placement", creating often unwelcome interruptions. This Saturday, CHG Circa gallery's artists have chosen to interrupt their own imagery in "Product Displacement". Consumerism is a necessary evil to a healthy economy that has intrigued artists for decades. Perhaps the most famous example is Andy Warhol, whose works like the Campbell soup cans forced us to reckon with big business' presence in our lives. Artists such as Eric Joyner, Buff Monster, Shag, Brandi Milne, Richard J. Oliver, Andrew Brandou, Ron English, and Sylvia Ji take a cue from artists like Warhol to publicize their own experiences with advertising.

On Saturday, just hours before the event, Corey Helford disclosed the location of artist Brandi Milne’s emotional new work, 2-years in the making. Their large warehouse pop-up space hosted a carnival-style opening, complete with cotton candy, but thematically, “Here Inside My Broken Heart” is Milne’s most intimate show. Milne’s latest series of paintings interprets the ups and downs of her own broken heart with layered imagery. Her sugary sweet, lyrical paintings are far less literal than her previous offering at Corey Helford, “Before I Hide Away” (covered here). Gone are the handwritten quotes Milne strung throughout her narrative, perhaps allowing her work to speak for itself. Read more after the jump.

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