Carl Randall captures the energy and heartbeats of London and Tokyo through his crowded paintings, each figure its own portrait of a real pedestrian in his or her respective city. Toying with perspective, his recent works also implement the architecture and skylines of the inhabited metro area.
“Randall’s time spent in Japan … was used to develop his interest in using painting as a medium in which to depict Japanese culture, creating images of everyday life in contemporary Japan as seen through the eyes of a visiting foreign artist,” a statement says. “A series of large black and white canvases show densely packed groups of faces inspired by the crowds of Tokyo – a response to urban issues such as overpopulation, isolation and urban alienation. He predominantly works from life and so these pantings were made in collaboration with over one thousand residents of Tokyo city, each volunteering to sit for their portraits.”
See more of Randall’s work below.
In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”
Omar Rayyan’s mythological paintings call upon a centuries-old sensibility while showcasing the artist’s penchant for the monstrous. His new show at Haven Gallery, titled "Fins, Feathers, & Fangs," collects new works from Rayyan, who was last featured on our site 