Andy Dixon‘s vibrant and decadent paintings examine the relationship between art and money. Whether it’s the personal rooms of patrons or coveted works from the Christie’s catalog, Dixon’s lush pieces look at the worth assigned to objects and expressions. (The artist shows new examples of this in an upcoming show at Joshua Liner Gallery.)
“Signifiers of wealth abound in his large acrylic paintings, which take as their subjects stately lords, reclining nudes, ornate ballrooms, bathing beauties, and prominent paintings of the aforementioned motifs,” a statement says. “Borrowing content from Renaissance art, Flemish still lifes, and Google Image searches of ‘most expensive vases,’ his subject matter is selected on the basis of public expectation of what an expensive painting should look like. By sampling content verified as valuable by the market, Dixon positions his own work to ask, ‘What is the value of a painting of a valuable object?’”
See more of Dixon’s work below.
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The psychedelic paintings of 
Amy Bennett's engrossing paintings, with figures and objects rendered in a miniature scale, present scenes from the everyday from unexpected vantage points. These perspectives are aided by the artist first building "miniscule three-dimensional models" from wood, plastic, and other materials before she begins painting, says Miles McEnery Gallery. Her new show at the New York City gallery begins this week and runs through Aug. 16.
The paintings and drawings of David Welker have adorned rock posters, public spaces, and gallery walls. Each offers Welker’s distinct sensibility influenced fantasy, independent comics, and surrealist fine art.