Blending painting and drawing, Julia Faber pits nature against the real-life robots that emulate its creatures. The Vienna-based artist contrasts realistic, painted backdrops or animals with stunning linework. In the past, Faber’s work traversed humanity’s own periled social structures and history. This new body of work appears to explore our effect on the world outside of our physical bodies.
“Julia Faber’s hyperrealistic painting is concerned with themes of the formation and disciplining of bodies, through citations of classical mythological motifs and illustrations of forced pedagogical regulations of the body from textbooks and newspaper advertisements from the 19th century,” says the publisher Schlebrügge.Editor.
See more of her work below.
In Jillian Denby’s voyeuristic, yet expansive paintings, people engage in both everyday activity as well as the unexpected. When viewed as a whole, her scenes offer a connectedness between its parties that each likely couldn’t see themselves. With works like "Genius of the River Chases Away The Frenzy of Art," the reality of what’s human and what’s art itself is blurred. “Nature can be overwhelming and landscape a little removed. With that in mind and viewing it directly, I try to acknowledge its presence, while conceptualizing a fragile observational dialogue,” the artist has said.
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John Greenwood
The strange worlds of