Randy Ortiz’s stirring drawings adorn gallery walls and album covers, each showing the artist’s knack for horror and surrealism. Works such as “Rejoice, for Tonight It Is a World That We Bury” (below) offer disconcerting narratives in progress, rendered in graphite.
“Randy Ortiz began life as a burrowing freshwater larva,” an unconventional bio says. “At this stage, he was toothless, with rudimentary eyes, and fed on microorganisms. He transformed into an adult through metamorphosis similar to most amphibians. It involved a radical rearrangement of internal organs, development of eyes and transformation from a mud-dwelling filter feeder into an efficient swimming parasite and sexual tyrannosaur.”
See more of Ortiz’s work below.
New York-based artist 
Berlin-based artist Anna Lea Hucht creates drawings, watercolors and ceramics with solemn, and sometimes sinister undertones. The works have an aesthetic lightness which betrays their more disquieting subjects. Upon first look, Hucht's domestic scenes are peaceful, tame. However, closer observation reveals individuals forlorn, lost among the trinkets and knickknacks that fill their homes. Hucht's artworks are intriguing for their exacting detail that lends a specific personality and history to the people depicted. For example, Hucht offers clues about a woman seen behind a bookshelf containing a flask and beaded fringe lamp situated between ceramic vases and kitsch figurines.
The fanciful drawings of 
Musician-visual artist Tetsunori Tawaraya’s sci-fi-infused drawings have garnered fans across disciplines over the years, as he has sold prints and comic books at shows he’s played with acts like Tokyo’s 2up and San Diego punk act Dmonstrations. Among his comics are the collections “Dimensional Flats” and “Grayworld,” both published by Hollow Press. The artist's collaborations include work with Volcom the band Transkam.