Menu
The New Contemporary Art Magazine

Joshua Hagler’s Layered, Deconstructionist Paintings

Using stills from early propaganda films or frontier paintings as a basis, the layered paintings of Joshua Hagler deconstruct our history. Each work goes through several iterations, distorting and removing previous layers to arrive at something new entirely. The explorations become both visceral and introspective in this process.

Using stills from early propaganda films or frontier paintings as a basis, the layered paintings of Joshua Hagler deconstruct our history. Each work goes through several iterations, distorting and removing previous layers to arrive at something new entirely. The explorations become both visceral and introspective in this process.

“This current body of work draws inspiration from Lethe, the Greek mythological river of forgetting,” a recent statement says. “It was said that one drinks from Lethe before being reborn, losing most or all memory of the past. German philosopher, Heidegger interpreted Lethe not as a simple accident of forgetting, but as a ‘concealment of being.’ The task for Heidegger was ‘unconcealment,’ in turn Hagler sets to uncover personal truths by examining America’s cultural amnesia and psychological repression.”

See more of the artist’s recent work below.

https://www.instagram.com/p/Bh9Wf3SBfsd/?taken-by=haglerjosh

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The twin brothers who work under the moniker "Perez Bros" were first exposed to the car culture of Los Angeles in their youth, and to this day, it informs their collaborative painting practice. Their current show at Thinkspace Projects, titled "Cruise Night(Office)," collects some of their recent auto-filled scenes. It runs through the end of the month at the space.
Oil painter Lindsay Pickett crafts distorted cityscapes that are at times taken from the artist’s dreams. His influences range from Dali and Bosch to sci-fi illustrators like Wayne Barlowe and Jim Burns. The key to crafting these pieces is not just subverting physics, Pickett says, but walking the tightrope of making them somehow convincing.
The watercolor paintings of Turkish artist Yiğit Can Alper carry a ghostly quality, their creatures disappearing into sparse backdrops. Alper's drab figures and structures seem to be part of a dilapidated world. And the textures of the material render each component as a temporary apparition.
Alpay Efe’s moody oil paintings offer vulnerable figures, both obscured by abstract elements and their own postures. The artist is self-described as a figurative painter "influenced by contemporary zeitgeist and pop culture."

Subscribe to the Hi-Fructose Mailing List