Menu
The New Contemporary Art Magazine

Mario Moore Explores ‘Recovery’ in New Show

"A Student's Dream," the central oil painting in Mario Moore's new show, is inspired by the artist's recent surgery to remove a benign brain tumor. "Recovery" kicks off at David Klein Gallery in Detroit at the end of the month, and in the show, the artist looks at how African-American men experience recovery from hardship and trauma.

“A Student’s Dream,” the central oil painting in Mario Moore‘s new show, is inspired by the artist’s recent surgery to remove a benign brain tumor. “Recovery” kicks off at David Klein Gallery in Detroit at the end of the month, and in the show, the artist looks at how African-American men experience recovery from hardship and trauma.

“The process of recovery is imperative for a body that has endured a certain trauma or physical strain,” the artist says, in a statement. “Yet, In America, there is an expectation for Black men to perpetually prevail—to keep working, keep fighting, and deny the body rest – despite the pains they may endure. Throughout history, Black men in America have been bombarded with endless conflict against their minds and bodies, rarely ever having opportunity to consider self-care.”

The show runs June 30 through Aug. 11 at the gallery. Moore’s work is also featured in the group “Black Blooded,” currently running at New Gallery in Charlotte, N.C. See more works from “Recovery” below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Ozabu only uses pencil and graphite in her startling figurative works on paper, using elegant linework and subtle iconography in mysterious minimalist pieces. The Japanese artist is self-taught, and the artist’s long fascination with birds comes through in how figures are accompanied by and are overtaken by winged creatures.
Inside a Charlotte studio, a hundred faces peer in different directions. These are the unsettling, yet engrossing sculptures of Dustin Farnsworth, a current resident at the McColl Center for Art + Innovation. As the artist prepared for his upcoming show, titled “Tell Me More,” he spoke to Hi-Fructose about his latest, massive works.
In Jesse Mockrin's recent paintings, the artist quotes depictions of women and violence throughout the history of art, taking influence from Baroque work, Renaissance etchings, and other eras. In "Syrinx," currently running at Night Gallery, the artist crops these influences and places them side by side. (Mockrin was last featured on HiFructose.com here.) The gallery says that “she first category considers images of women under duress, while the second category reclaims the condemned figure of the witch as a feminist forebear.”
The work of surrealist Igor Morski combines analogue and digital approaches. His illustrations often contain their own secret messages and mythologies. Yet, there’s still something baldly universal in his subjects, whether unraveling or confined to contained within a seemingly endless wall of compartments.

Subscribe to the Hi-Fructose Mailing List