Menu
The New Contemporary Art Magazine

Okuda San Miguel Creates Monument for Falles Celebration

Each year, the Falles celebration honors Saint Joseph in Valencia, Spain, with festivities and enormous monuments burnt during the final day of the affair in the town square. This year, Okuda San Miguel created a massive work for the event injecting contemporary, vibrant style. And last night, Okuda’s “Falla” was set ablaze. (Okuda was last featured on HiFructose.com here, and he was the cover artist for Hi-Fructose Vol. 43.)


Each year, the Falles celebration honors Saint Joseph in Valencia, Spain, with festivities and enormous monuments burnt during the final day of the affair in the town square. This year, Okuda San Miguel created a massive work for the event injecting contemporary, vibrant style. And last night, Okuda’s “Falla” was set ablaze. (Okuda was last featured on HiFructose.com here, and he was the cover artist for Hi-Fructose Vol. 43.)

In video put out by Spanish football club Valencia CF, Okuda promoted the effort by telling player Toni Lato this: “It’s more contemporary than traditional Fallas,” he said, “but the construction of it will be very Fallas-style, as it is like a totem.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Sarah A. Smith has a particular set of drawings that merit notice for their expressive qualities. Her subject is the natural world. The compositions are dynamic and fluid, coiled in mid-strike. If you didn’t know they were drawings, you might think they were dioramas. Subject matter includes eagles and wolves, trees and shrubs. Sometimes there’s a drawing of an eagle, sometimes there’s one of a wolf. Sometimes the two are locked in combat though, as in Eagle Vs. Wolf, you can only see the wolf responding to the eagle overhead. The work is dynamic. The shapes are sharp and angular. They look like lightning bolts. If you could rub the head of the eagle or the wolf, you’d feel its coarse texture. Likewise with the bark of the trees: rub it and you’d get splinters. The scenes offer voyeuristic views of the natural world in its rawest element. It’s a perilous, zero sum world. Its narrow color palette suggests bleakness.
Based in Lisbon, Portugal, Bordalo II creates resourceful assemblages out of the junk he collects in his city's streets. Using a bit of spray paint, the artist configures the found objects into playful animal portraits. His street art work hybridizes muralism and sculpture. A portrait of an owl conceals layers of scrap metal; a painting of an apple contains bent bicycle tires, cans, wood and cardboard. Bordalo II's art brings whimsical visions to Lisbon's streets and invites viewers to imagine creative ways to reuse their discarded items.
Matteo Lucca’s figurative sculptures are forged with the unlikely material of bread. Using the unusual contours of these bakes—and experimenting with burns and malformed sections—the works take on an unsettling quality.
Amin Sadeghy, an artist and architect living in London, crafts personal work that implements architectural figures at varying scales and elaborate sets and configurations. The works seem to use the human bodies as both faceless design elements and reflections on the power of crowds. At close range and from afar, these intricate structures create different conversations.

Subscribe to the Hi-Fructose Mailing List