Los Angeles-born artist Camille Rose Garcia crafts vibrant, horror-infused paintings. A new show at Dorothy Circus Gallery in Italy, titled “The Ballrooms of Mars,” compile a new body of work from the artist. Her multimedia pieces are often cited as being influenced by Max Fleischer, Disney, ’50s-era films, and the work of William Burroughs. The show kicks off Feb. 24 and runs through April 7.
“‘The Ballrooms of Mars’ explores the outer space dimension, the mysterious features of Space and the universal language of nature made of ‘patterns in the vibrations of sound,’” a statement says. “We are led in a journey through distant and magical dimension, in which we encounter mysterious creatures and Ziggy Stardust-like characters – born from Camille Rose Garcia’s imagination but also undoubtedly influenced by popular heroes like David Bowie.”
See some works from the show below.
In his third show at 111 Minna Gallery, Mike Davis offers new whimsical paintings that appear as a continuation of the Northern Renaissance while blending in notes of the artist’s own time period. "Crooked as a Dog's Hind Leg" kicks off on Jan. 10 and runs through Feb. 29 at the space. Davis was last featured on our site 
Austrian painter Peter Gric offers surreal visions of the future, with writhing biomechanical creatures and notes from ancient religious art coursing throughout his paintings. Gric’s work also includes sculpture, bringing his metallic forms to life. Though often constructed in acrylics, gold leaf, and other traditional paints, Gric’s work begins as digital sketches:
Alvin Ong's oil paintings, depicting decadence and nondiscriminatory consumption, crackle with energy. These works, following a tradition in art history of examining these themes, move between eroticism and aggression. The Singaporean artist offered this most recent body of work as "Supper Club" earlier this year.